Category Archives: Afaan

The History of Oromo Writing and the Role of Dr. Sheikh Mohammed Rashaad

Language is a tool of communication and a symbol of identity. But for the Oromo people, their language remained largely oral for centuries—confined to the spoken word while the world around them moved forward in ink. The story of how Afaan Oromoo finally found its written form is a story of struggle, sacrifice, and one man’s relentless vision.


A Language Without Letters

The Oromo language, spoken by tens of millions across the Horn of Africa, was for a long time a language of the spoken word alone. Unlike many of its neighbors, Afaan Oromoo lacked an indigenous writing system that could accurately capture its unique sounds and grammatical structure.

Efforts to write Oromo began in the 19th century. The first known written Oromo texts were religious manuscripts from the Rayya area, produced during the time of the sheikhs of Anniyya and Danniya. These were handwritten poetry collections, hymns to God and His Prophet, penned with a reed pen using the Arabic script.

But the Arabic script was never a perfect fit for Oromo. Arabic has only a limited set of vowels and consonant distinctions. Oromo, by contrast, has ten vowels and a richer set of consonants. Six Oromo phonemes—c, ch, dh, g, ny, and ph—had no direct equivalents in Arabic writing. Scholars had to adapt, improvise, and sometimes simply make do with imperfect approximations.

Three Scripts, Three Attempts

The Ethiopian Script (Ge’ez/Amharic)

In 1886, an Oromo man named Onisimos Nasiib (Abbaa Gammachiis) translated the Bible into Oromo and had it published in Asmara, Eritrea. He used the Ge’ez script—the same writing system used for Amharic and Tigrinya. This script, however, was designed for languages with seven vowels, not ten. It could not adequately represent Oromo sounds, and the translation, while groundbreaking, was limited by the tools at hand.

The Italian Contribution

After the Italian occupation of Ethiopia in 1935, the Italian linguist Martino Mario Moreno conducted systematic research on the Oromo language. In 1939, he published Grammatica teorico-pratica della lingua galla (Theoretical-Practical Grammar of the Galla Language) in Milan, using a Latin-based alphabet. His work was the first to accurately describe the phonology, morphology, and syntax of Oromo in a scientific way.

“The period of Moreno can be called the ‘Moreno Era’—a time when the science of linguistics began to properly understand the language”.

Moreno’s alphabet represented a significant step forward:

‘ A B C Č D Ḑ0 E F G H I J K L M N Ñ O H Q R S Ṧ T Ṭ U W Y Z

The Sheikh Bakri Script

Meanwhile, within Oromo society, a different approach was emerging. Sheikh Bakri Sapalo (born Abubakar Garad Usman, 1895-1980), an Oromo scholar and religious teacher, invented an entirely new writing system for Oromo in 1956. His script was designed from the ground up to capture Oromo sounds accurately.

Sheikh Bakri had studied under several distinguished Islamic teachers and became renowned for his poetry. Under Haile Selassie’s regime, however, Oromo language was banned in education, conversation, and administrative matters. Sheikh Bakri’s script was developed in secrecy, perhaps to avoid detection by authorities who would have opposed Oromo writing in any form.

His most important work was Shalda, a twenty-page pamphlet that purported to be religious instruction but was actually a veiled account of Oromo suffering under Haile Selassie. It became the first and last major work in his alphabet. In 1965, Sheikh Bakri was placed under house arrest. In 1978, he fled to a refugee camp in Somalia, where he died without ever seeing his script widely adopted.

Dr. Sheikh Mohammed Rashaad: The Man Who Completed the Mission

A Journey Begins on Foot

Born in 1934 in Eastern Oromia, in a village called Laga Arba, Sheikh Mohammed Rashaad Abdullee grew up under the harsh realities of colonial settler rule. As a young man, he was severely chastised by one of the settlers. With no one to defend him, his young mind resolved on a radical course: he would go overseas to acquire skills and weapons for his people’s emancipation.

At the age of 15, in 1949, he left Ethiopia on foot. He traveled through Djibouti, Yemen, and Saudi Arabia, performing Hajj in 1950. From there, he continued to Syria, where he spent five years at the Fatul Islam school in Damascus, eventually earning the title of Mufti.

In 1956, he entered Al-Azhar University in Cairo, a center of learning and liberation movements across Africa. There, surrounded by students from across the continent, his Oromo consciousness deepened.

“When he entered Al-Azhar University in 1956, all nations began to showcase their languages, cultures, and identities. He saw histories of different countries beautifully written and thought, ‘We also have a history to tell, a language to speak, a script to write with'”.

The Mogadishu Years: Radio and Rebellion

After graduating with top honors in 1962, receiving an award from Egyptian President Gamal Abdel Nasser, Sheikh Rashaad was sent by Al-Azhar to Somalia. There, he was hired by the Somali government as a linguistic expert. This gave him a new opportunity to study Oromo language using available Somali sources.

In Mogadishu, he joined forces with other Oromo refugees and intellectuals, including the journalist Ayub Abubakar. Together, they started the first Oromo-language radio broadcast from Mogadishu in 1965. The program began at 15 minutes, grew to 30, and eventually to a full hour.

“The broadcast shook the Haile Selassie regime in Ethiopia, which dispatched agents to assassinate and put a stop to their work. Haile Selassie’s agents eventually assassinated Ayub but were apprehended in Mogadisho before they could similarly murder Sheikh Rashad”.

The Birth of Qubee

It was during this period that Sheikh Rashaad discovered the suitability of the Latin script for writing Oromo. His comparative studies of Oromo and Somali led him to develop the modern Oromo alphabet.

In 1969, he prepared a manuscript titled “Fura Afaan Oromoo” (The Key to Oromo), which was handwritten and circulated among Oromo communities. Two years later, in 1971, it was published—the first complete Oromo-language reader in the modern Latin alphabet.

The book faced immediate challenges. In Somalia, the regime tried to impose the label “Somali-Abbo” on Oromos and recalled his book to redo the cover. But in haste, they left the inside page intact, which still read “Fura Afaan Oromoo”—exposing the plot. In Ethiopia, his writings were strictly forbidden; anyone found with them would face severe punishment.

Exile and Lifelong Work

Under pressure from both sides, Sheikh Rashaad relocated to Saudi Arabia, where he continued his scholarly work. Over the following decades, he produced an extraordinary body of work:

  • The first Quran translation in Afaan Oromoo
  • Translation of over 40 Hadith books from Arabic to Oromo
  • The first Somali-Oromo dictionary
  • The first Arabic-Oromo dictionary
  • Numerous articles on Islam with particular emphasis on Eastern Africa
  • Hajj and Umra guidance for Oromo pilgrims
  • Collections of Oromo traditional songs (miriysaa, dhiichisa, geerarsa)
  • Children’s stories in Oromo
  • History of the Prophet Muhammad in Oromo
  • History of Islam in Oromo

“He spent over 15 years conducting research on the Oromo and Somali languages, which later became the focus of his thesis for a PhD in linguistic studies, which he received from the UK”.

Recognition and Final Years

In recognition of his lifelong contribution, the Oromo Studies Association bestowed on him its Lifetime Achievement Award in 2009. In 2010, the Oromiyaa Radio and Television (ORTO) recognized him for his contribution to the development of the Oromo alphabet.

In 2009, he returned to his homeland, settling in Adama, central Oromia. But his final years were not peaceful. When the Ethiopian regime tried to impose a particular interpretation of Islam on the faithful, Sheikh Rashaad objected. For his conviction, he was evicted from his home and forced to relocate to Dire Dawa.

Fiercely independent and unquestionably loyal to his people, Dr. Sheikh Mohammed Rashaad passed away with dignity on May 25, 2013, at the age of 79.

The Legacy

Sheikh Rashaad was not alone. He worked alongside others who contributed to the development of Oromo writing. Haylee Fidaa and Abdullaahi Yuusuf, Oromo students in Europe, adopted the Moreno alphabet with modifications and published two important books in 1973-74: Hirmaata Dubbii Afaan Oromoo (an Oromo grammar) and Bara Birraan Barihe (a drama about the suffering under the Neftenya system).

But it was Sheikh Rashaad who provided the definitive, scientifically-based alphabet that would eventually be adopted for all Oromo writing—from educational materials to official government communications to the translations that would bring the world’s knowledge into the Oromo language.

“His contribution in informing and educating the masses and in strengthening Oromo nationalism, despite serious threats and challenges, is immense. His works will live with the Oromo people forever and continue to inspire millions”.

Today, when millions of Oromo children learn to read and write in their own language, when Oromo scholars publish research in international journals, when the Bible and the Quran are read in Oromo by millions, the foundation they are building on—the alphabet they are using—is the one that Sheikh Mohammed Rashaad developed, refined, and fought to protect.

He ranks among the patriotic Oromo religious scholars from both Muslim and Christian traditions who, despite persecution from successive regimes, paid heavy sacrifices for their people. Among them are the Reverend Gudina Tumsa, who gave his life for the cause; Sheikh Bakri Saphalo, who died in a refugee camp; and the great Abbaa Gammachis, who endured humiliation and subjugation. They remain giant role models who will continue to inspire future generations—shining forever like lighthouses in a free Oromia.

May the angels welcome this man who made written Oromo language accessible to millions—a renewer of his time, a truly great man.

The Oromian Story: Preserving Voices, Empowering Communities, and Celebrating Culture

Through the voices of elders and the vitality of community, the Oromian Story program ensures that Oromo culture remains a living, breathing force for generations to come

FINFINNE, OROMIA — In the heart of every culture lies a story—a narrative passed down through generations, carried in the voices of elders, and woven into the fabric of daily life. For the Oromo people, this story is not merely a record of the past; it is a dynamic, living force that shapes identity, builds community, and points toward the future.

The Oromian Story program stands as a testament to this truth. By centering the voices of Oromo elders and engaging communities at the grassroots level, the program ensures that Oromo culture remains vibrant, resilient, and relevant in a rapidly changing world.

“The Oromian elders’ voices is a dynamic part of Oromian culture and identity.”

This recognition lies at the heart of the Oromian Story program. Elders are not simply repositories of ancient wisdom—they are active participants in the ongoing creation of culture. Their voices, their memories, and their insights are essential to understanding who the Oromo people are and who they are becoming.

The Power of Elders’ Voices

In Oromo society, elders occupy a position of profound respect and responsibility. They are the keepers of history, the guardians of tradition, and the guides for the younger generation. The Gadaa system, which has governed Oromo society for centuries, is built on a foundation of elder wisdom and intergenerational transmission.

The Oromian Story program recognizes that the preservation of culture depends on the active engagement of elders. When elders share their stories, they are not merely recounting the past—they are shaping the future. They are teaching younger generations about their identity, their values, and their responsibilities.

Maintaining Culture Through Community Involvement

“The Oromian story program presents the maintenance and continued development of Oromo culture at the community level.”

Culture is not something that can be preserved in museums or archives alone. It lives in the daily practices, rituals, and relationships of communities. The Oromian Story program understands this, focusing on community-level activities that keep culture alive and dynamic.

Through community gatherings, storytelling sessions, and cultural events, the program ensures that Oromo culture is not a relic of the past but a living presence in the present. It engages people of all ages in the ongoing work of cultural preservation and innovation.

Supporting New Forms of Cultural Expression

The program supports activities that support new forms of Oromo cultural expression.

Culture is not static—it evolves, adapts, and grows. The Oromian Story program recognizes this, supporting new forms of cultural expression that reflect the creativity and dynamism of the Oromo people.

This might include:

– Contemporary art and music that draws on traditional themes
– Digital storytelling that reaches new audiences
– Literary works that explore Oromo identity in new ways
– Cultural festivals that bring together diverse communities
– Intergenerational projects that bridge the gap between elders and youth

By supporting new forms of cultural expression, the program ensures that Oromo culture remains relevant and vibrant in the modern world.

Increasing Public Awareness of Oromo Culture

The program supports activities that increase public awareness of Oromo culture, including through the presentation and exchange of culture.

One of the greatest challenges facing Oromo culture is the lack of public awareness—both within Ethiopia and internationally. The Oromian Story program addresses this challenge by promoting the presentation and exchange of culture.

Through public events, cultural exchanges, and educational initiatives, the program helps to:

– Educate the broader public about Oromo culture and history
– Foster cross-cultural understanding and dialogue
– Challenge stereotypes and misconceptions
– Celebrate the richness and diversity of Oromo traditions
– Build bridges between Oromo communities and others

Sustainable Development of Community Organisations

The program supports the sustainable development of community organisations involved in cultural activities.

Cultural preservation cannot be achieved without strong, sustainable community organisations. The Oromian Story program invests in the capacity of these organisations, helping them to:

– Develop effective governance and management structures
– Build financial sustainability
– Train staff and volunteers
– Expand their reach and impact
– Collaborate with other organisations and institutions

The Broader Impact

“The program promotes activities that encourage culturally vibrant communities and contribute to the cultural wellbeing of Oromia.”

The impact of the Oromian Story program extends far beyond the preservation of culture. By strengthening cultural identity and community cohesion, the program contributes to:

Social Cohesion: When communities share a strong cultural identity, they are more resilient, more united, and better able to address common challenges.

Youth Engagement: By involving young people in cultural activities, the program helps to build their sense of identity and purpose.

Community Pride: Cultural activities foster a sense of pride and belonging, strengthening communities from within.

Economic Development: Cultural tourism, arts, and crafts can contribute to local economic development.

Peacebuilding: Cultural exchange and dialogue can help to build trust and understanding between communities.

A Vision for the Future

“The Oromian Story program presents the maintenance and continued development of Oromo culture at the community level.”

The vision of the Oromian Story program is a future in which Oromo culture is not merely preserved but is a vibrant, dynamic force in the lives of Oromo people. It is a future in which elders are honored and their wisdom is valued; in which young people are engaged and empowered; in which communities are united and resilient; and in which Oromo culture is celebrated and shared with the world.

Conclusion

The Oromian Story program is a vital initiative for the preservation and development of Oromo culture. By centering the voices of elders, engaging communities, supporting new forms of cultural expression, and investing in community organisations, the program ensures that Oromo culture remains a living, breathing force for generations to come.

“The Oromian elders’ voices is a dynamic part of Oromian culture and identity.”

As the Oromo people continue their journey of cultural revival and self-determination, programs like the Oromian Story will play an essential role in ensuring that the voices of elders are heard, the stories of the past are remembered, and the culture of the Oromo people continues to thrive.

In the voices of Oromo elders lies the story of a people—a story of resilience, resistance, and hope. Through the Oromian Story program, that story will continue to be told.