Category Archives: SBS

Irreechaa: Its Significance in the Context of Other Religions

“Irreechaa is a Day of Thanksgiving!” — Why This Concept Embraces All Faiths

A study by Dr. Yoseph Mulugeta Baba (2024) examines the Irreechaa festival within the context of other religions and finds a central concept that cannot be logically wrong and carries a positive meaning. That concept is simply this: “Irreechaa is a Day of Thanksgiving.”

According to the paper, this concept carries the following meaning:

“Irreechaa is a day of thanksgiving where the gifts of the Creator are returned to the Creator in gratitude. Every individual who participates in the Irreechaa festival holds fresh green grass in both hands and gives thanks to their Creator. Fresh green grass is a symbol of peace and prosperity. Above all, they gather together to thank their great and holy Creator who saved them from the winter’s ice, heavy winds, floods, and storms. They also pray to their God to bless the harvest and the crops. Therefore, the Irreechaa festival is a tribute given to God who brought them from darkness to light.”

“Whom Are We Thanking?” — The Oromo Worldview’s Answer

A related question arises: “Whom are we thanking?” To answer this question correctly and unambiguously, we must clearly set out what the indigenous Oromo ontology (Oromo Ontology) teaches about the Creator, or Waaqa.

The indigenous Oromo understanding defines Waaqa with care, and its definition is as follows:

“Waaqa is the Creator of all things. Waaqa is omniscient, omnipresent, eternal, absolute, and infinite. Waaqa is absolutely one.”

Relationship with Christianity and Islam

Within this definition, there is no concept that directly contradicts the teachings of either Christianity or Islam regarding the Creator. Why?

The famous Catholic philosopher and theologian St. Thomas Aquinas, in his magnificent work Summa Theologica, correctly observes:

“That there exists one truth which every human being calls ‘God’ — the beginning and end of all creatures — the human creature can comprehend in many ways!”

This is why the Bible, when translated into different languages, does not give a new name to the Creator. A name already known in the indigenous religion and capable of correctly expressing the attributes of the Creator listed above is directly adopted. For example: Magano, Waa, Yeri, Waaqayo, Egziabher, Jowok, and so on.

Where Does the Difference Lie?

Therefore, the difference lies not in the attributes of God, but in the canon, tradition, and rules that each religion follows and teaches. The source of this difference may be historical or related to our use of language in theological interpretation.

As St. Thomas Aquinas says:

“Regarding God, what we can comprehend is not what He is, but what He is not, and what He resembles in comparison with other creatures.”

This is called the problem of religious language. God is above all creatures. Therefore, our human thought must adjust its limited, image-bound, and imperfect language about God so that it does not distort the identity of God — which has no expression, which cannot be fully known, which is invisible and intangible. The words we use will always fall short of expressing the mystery of God!

“Guracha” — The Name of Waaqa and Its Meaning

For example, in the Oromo indigenous religion, the word Waaqa, whether written or spoken, is accompanied by the adjective “Guracha.” Its literal translation is “black,” and in Oromo ontology, blackness is not only a symbol of supremacy but also expresses the originality of Waaqa. Blackness is a concept that expresses that the essence of Waaqa is an absolutely perfect mystery that cannot be reached by the human mind.

Irreechaa and the Universal Knowledge of the Creator

Therefore, when we celebrate the Irreechaa festival, we do so in a manner that takes into account the attributes of God. Since such knowledge of the Creator is universal, a follower of any religion can celebrate it with joy and in a true spirit, giving it a positive meaning.

The American Example: Thanksgiving Day

Above all, we must avoid actions that undermine the unity of a people under the guise of religion without properly understanding religious studies.

America is a country with a population of 340 million and five of the world’s major religions. When the people celebrate “Thanksgiving Day” every year, they have never once entered into a hair-splitting question or argument about “Whom are they thanking?”

The Human Being Is a Spiritual Creature

In the world in general, and in Ethiopia in particular, let us take the following ontological characteristics of human existence as an example to show that there is confusion regarding religious studies.

The human being is a spiritual being. Two faculties are given to human beings alone among all creatures, and other creatures intrinsically do not possess them at all: intellect and free will.

The human race knows and chooses to follow natural law because by nature it has the capacity to know universal truth and morality. For example, a Christian or a Muslim is able to know the natural law “Do not steal!” not because the commandment is written in the Bible or the Holy Quran, or because it exists in their faith’s teachings, but because the human being by nature and calling has the capacity and power to know this natural law.

Cultural Values Are Products of the Intellect

Cultural values are products of the human intellect. The intellect was created by God. God created the intellect for the primary purpose that we might investigate and understand the world. It must be emphasized that the cultural values that human beings have established since ancient times have their source in this faculty and tool of thought — the intellect — granted by the Creator. In human history, every society was able to establish its own culture and indigenous religion because of the intellect and free will given by God.

Human Limitation and the Need for Careful Interpretation

However, because the human being is limited by space and time, their knowledge is limited. The human intellect cannot reach absolute knowledge. The human being is a historical being. We are all products of history and geography!

Therefore, no society in human history has ever possessed absolutely perfect and error-free cultural values. This is why cultural values or indigenous religions must receive a careful interpretation (hermeneutics) that gives correct meaning within the context of time and place.


This article is based on the study by Dr. Yoseph Mulugeta Baba (2024).

Irreechaa: Core Values

Core Values at a Glance: At its heart, Irreechaa is built on gratitude to Waaqa (God), which flows into four enduring pillars: peace, forgiveness and reconciliation, unity and inclusivity, and connection with nature.

Irreechaa is more than a harvest celebration in Oromo culture — it is a complete moral and spiritual framework. Here is a closer look at its core values.

🙏 Gratitude and Thanksgiving

This is the foundation of Irreechaa. The Oromo people gather to thank Waaqa (the Creator) for the blessings of the past year — life, peace, rain, harvest, health, family, and the fertility of livestock. It is not merely a celebration but a humble recognition that all life depends on the Creator’s generosity. Gratitude, in this sense, is not just spoken; it is felt and lived.

🤝 Forgiveness, Reconciliation, and Peace

Irreechaa carries a transformative power. Before taking part in the ceremony, participants are expected to let go of grudges, release anger, and seek reconciliation with others. Traditional belief holds that prayers offered with a pure and forgiving heart are the ones through which true peace can descend. Former Prime Minister Abiy Ahmed has repeatedly described Irreechaa as an occasion for reconciliation, forgiveness, and unity.

🕊️ Unity and Inclusivity

Irreechaa is radically inclusive. People of all ages, genders, religions, political views, and ethnic backgrounds are welcome to join. Scholars note that it unites not only Oromo people but also transcends language and territorial boundaries, bringing diverse communities together under the principles of peace, mutual respect, and coexistence. Participants dressed in white are themselves a symbol of that peace.

🌿 Connection with Nature

Irreechaa expresses a deep bond between humanity and the natural world. Ceremonies are held along riverbanks and lakeshores, where participants carry fresh green grass and flowers, dip them in water, and sprinkle the water as a blessing of renewal, hope, and purification. This ritual is not only an act of gratitude toward nature but also reflects the Oromo ethical principle of Safuu — the understanding that human beings are stewards of the earth, responsible for protecting water, soil, and the balance of life.

Together, these values form the spiritual core of Irreechaa, making it far more than a festival. It is a living heritage that continues to shape Oromo identity, moral life, and community bonds across generations.

Irreechaa: A Heritage That Endures, Evolves, and Lives

A festival of gratitude becomes a call to responsibility for nature and future generations

Every year, millions of Oromo people gather along the banks of rivers and lakes, dressed in white, carrying fresh green grass and yellow daisies. They come to give thanks. They come to pray. They come to remember.

But according to a new reflection by Worku Burayu (PhD), Irreechaa is far more than a colorful annual gathering. It is a living heritage — one that endures, evolves, and lives.

“Irreechaa should not be reduced to an annual article, a speech, a public gathering, or a cultural display,” Burayu writes. “It is a living heritage whose meaning continues to guide, teach, and connect generations.”

The article, titled “Irreechaa: A Heritage That Endures, Evolves, and Lives,” continues a reflection begun in 2025 with “Irreechaa: From Nature to Nation, Core Values of Oromo Culture.” This year’s piece, written after an invitation from the Irreechaa Event Ad Hoc Committee of the Atlanta Metropolitan Area, takes a different perspective — examining Irreechaa not just as a celebration, but as a relationship between memory and responsibility.

More Than a Ceremony

Irreechaa is widely known as the Oromo thanksgiving festival, celebrated at the end of the rainy season near rivers and lakes. Participants give thanks to Waaqaa (God) for life, health, peace, rain, harvest, family, and community. They sing, dance, and sprinkle water as a blessing of renewal.

Scholars have long recognized Irreechaa as an expression of Oromo identity and unity. UNESCO describes it as closely associated with the Gadaa system, the indigenous democratic sociopolitical system of the Oromo people.

But Burayu argues that its significance cannot be fully understood by viewing it only as a ritual performed at a particular time of year. Irreechaa is part of a broader Oromo worldview in which human beings exist within relationships involving Waaqaa, nature, community, ancestors, and future generations.

“The natural environment is not simply a backdrop for cultural practice,” he writes. “Soil, water, air, forests, grass, flowers, animals, and agricultural landscapes are part of the living world through which life is sustained and gratitude is expressed.”

Gratitude Must Become Responsibility

At the heart of Irreechaa is gratitude. But Burayu asks a challenging question: If water, forests, soil, grass, and flowers are gifts of Waaqaa, how should we treat them?

“The answer cannot be limited to words of thanksgiving,” he writes. “Genuine gratitude creates responsibility.”

If water is a gift, it must be protected. Lakes, rivers, springs, and wetlands associated with Irreechaa are not merely ceremonial locations — they are living ecosystems. Respect for water means preventing pollution, protecting riverbanks, safeguarding springs, and managing waste responsibly.

If forests are a gift, they must be conserved and renewed. Natural materials used during ceremonies should be gathered without unnecessary destruction of living trees. Irreechaa can become an opportunity for tree planting and forest restoration.

If soil is a gift, its fertility must be maintained. “We cannot celebrate the fruits of the land while destroying the soil that must produce those fruits in the future,” Burayu warns.

If grass and flowers are used in celebration, they should be gathered in ways that allow natural regeneration. Plants should not be unnecessarily uprooted when only their flowers or leaves are needed.

“The gift of nature does not belong to human beings alone,” Burayu writes. “It sustains an entire community of life.”

Water as a Sacred Responsibility

The relationship between Irreechaa and water is particularly significant. Many celebrations take place beside rivers, lakes, and springs. The symbolism of water, Burayu argues, should never be separated from its ecological reality.

“When people approach water during Irreechaa, touch it, sprinkle it, or gather beside it in prayer, they encounter one of the fundamental conditions of life,” he writes.

The act of approaching water should awaken responsibility. “If we pray beside a river, we should not pollute it. If we regard water as a blessing, we should not waste it carelessly. If we gather around a spring, we should protect the spring and its surrounding vegetation.”

His message is simple: “We should not pollute what we have come to honor.”

Safuu: An Indigenous Ethic of Restraint

Burayu grounds these responsibilities in Safuu, the Oromo concept of appropriate conduct and responsible relationships. Safuu asks a deeper question than whether a person is technically able to do something. It asks whether an action is appropriate, responsible, and respectful.

“A person may be physically able to cut a tree, but that does not mean the tree should be cut unnecessarily,” Burayu explains.

He points to the Odaa tree as a powerful cultural example. Odaa trees have long held deep cultural, social, and spiritual significance in Oromo society. Traditionally, those associated with important communal spaces were treated with particular respect and were not to be cut at will.

“The question is not simply ‘Can I take it?’ but ‘Should I take it, and what responsibility follows from taking it?'” Burayu writes.

This principle, he argues, extends to rivers, forests, grasslands, and wetlands. “The ability to use nature does not create an unlimited right to consume it. Safuu calls for restraint, responsibility, and respect for the conditions that make life possible.”

The Challenge of Modern Celebration

Contemporary Irreechaa celebrations can involve very large gatherings. Their growth creates opportunities for cultural visibility and community connection, but it also creates environmental responsibilities.

Large gatherings require transportation, food, water, sanitation, energy, and waste management. They can place pressure on grasslands, riverbanks, and trees.

“The success of an Irreechaa gathering should not be measured solely by attendance, visibility, or cultural performance,” Burayu writes. “It should also be measured by what remains after the gathering.”

A celebration that leaves a river polluted, vegetation damaged, and the landscape covered in waste contradicts the relationship with nature that Irreechaa seeks to express. By contrast, a celebration that leaves the environment protected, clean, and renewed demonstrates that gratitude has been translated into responsibility.

From Survival to Renewal

Irreechaa has survived because generations before us carried it through difficult circumstances. But Burayu argues that survival alone is not enough.

“A tradition can survive as a ceremony while losing its deeper values,” he warns. “It can become something repeated annually without being understood, or a cultural performance detached from everyday conduct.”

For Irreechaa to remain a living heritage, it must continually be renewed through learning. Renewal means documenting cultural knowledge before it disappears, creating opportunities for elders to share knowledge with younger generations, and connecting traditional ecological knowledge with contemporary scientific understanding.

“Renewal does not require abandoning tradition,” Burayu writes. “It requires understanding tradition deeply enough to distinguish enduring principles from the particular historical forms through which those principles have been expressed.”

Cultural Confidence Without Self-Denigration

The continuity of cultural heritage also depends on how a people understands itself. Burayu notes that Oromo history, culture, and identity have often been interpreted through external frameworks — political, religious, and colonial.

“Before rejecting what is ours, we have a responsibility to understand it,” he writes. “Before repeating judgments made about our culture, we have a responsibility to study the culture itself.”

This is not an argument for romanticizing the past. Cultural confidence does not require believing that everything inherited is perfect. A living culture must be capable of self-examination.

“There is an important difference between critical reflection and cultural self-denigration,” Burayu explains. “Critical reflection seeks to understand, improve, and strengthen. Self-denigration simply reproduces the judgment of others.”

Intergenerational Responsibility

Every generation inherits things it did not create — language, stories, values, songs, landscapes, rivers, forests, and soils. Burayu argues that we therefore have a responsibility to think of ourselves not merely as owners, but as custodians.

“A river that exists today will be needed by children who have not yet been born,” he writes. “A forest standing today may provide shade, water protection, biodiversity, and livelihoods for generations we will never meet. Soil fertility lost today may take decades to restore.”

Irreechaa makes this relationship between generations visible. “Our ancestors carried it. We received it. Our children will inherit whatever we choose to preserve, change, or neglect.”

Irreechaa in the Diaspora

For Oromo communities living outside Oromia — including in the United States, Europe, Australia, and Asia — Irreechaa carries additional significance. In the diaspora, cultural continuity requires deliberate and sustained transmission because younger generations may grow up in environments where Afaan Oromo, Oromo customs, and traditional practices are not part of everyday life.

“In this context, Irreechaa can serve as an intergenerational bridge,” Burayu writes. “That bridge, however, must carry knowledge as well as ceremony.”

Community gatherings can become spaces for learning as much as celebration. Elders can transmit knowledge, younger people can ask questions, and cultural organizations can create educational programs connecting history, language, ecology, ethics, and contemporary life.

From Ceremony to Everyday Life

The deepest measure of Irreechaa, Burayu argues, is what happens after the celebration.

“If a person gathers beside a river in thanksgiving and subsequently becomes more conscious of protecting water, the ceremony has produced an enduring value,” he writes. “If a young person learns about the significance of grass and flowers and becomes more responsible in the use of natural resources, the tradition has been transmitted meaningfully.”

A cultural tradition is truly alive when its principles enter everyday behavior. “Irreechaa should therefore not be understood merely as something people attend. It is something whose values can be lived.”

It Endures. It Evolves. It Lives.

Burayu concludes with a powerful summary of his argument.

“Irreechaa endures because it has roots in the historical and cultural experience of the Oromo people. Irreechaa evolves because every generation encounters different circumstances. Irreechaa lives when its underlying values remain meaningful within those changing circumstances.”

Its living character can be seen when gratitude becomes responsibility, identity becomes confidence, celebration becomes stewardship, tradition becomes learning, and cultural memory becomes preparation for the future.

“The question is not simply whether Irreechaa will survive,” Burayu writes. “The deeper question is whether we will understand it well enough to help it live.”

Irreechaa is not merely a heritage of the past. It is a responsibility of the present and a promise to the future.

It endures. It evolves. It lives.

Irreechaa in Edmonton: How One Diaspora Community Turned a Sacred Tradition into a Recognized Civic Celebration

By Daandii Ragabaa


EDMONTON, Alberta — When the Oromo community of Edmonton gathered for Irreechaa Malkaa this year, they were not simply marking a religious holiday. They were making a statement — to themselves, to their children, and to the wider Canadian society — that Oromo culture, identity, and heritage deserve to be seen, respected, and celebrated at the highest levels of public life.

The celebration, held a week ago, was honored with an official Certificate of Recognition from the Government of Alberta, presented by representatives of the city and the provincial and federal governments who stood alongside the Oromo community in celebration. The recognition was not a casual gesture. As the community noted, this acknowledgment did not come easily or by accident. It was the result of years of persistent advocacy and grassroots organizing.

A Celebration That Speaks for Itself

The symbolism of Irreechaa is powerful, and the Edmonton community was intentional about ensuring it was understood. Irreechaa is not simply a “Thanksgiving” festival. It is rooted in Waaqeffannaa, the traditional Oromo belief in one God, and in the Gadaa system — the ancient democratic governance structure that UNESCO has recognized as Intangible Cultural Heritage.

For Oromos in the diaspora, Irreechaa is a spiritual act of gratitude to Waaqa for the blessings of the past year, a moment of reconciliation, and a prayer for peace in the year ahead. It is also a public declaration of identity — a refusal to be invisible.

As the community statement put it, the presence of elected officials and the presentation of the certificate of recognition was not simply an act of kindness by those in power. It was the product of sustained effort and organized advocacy by OCANA (the Oromo Community Association of Northern Alberta) and the broader Oromo community of the region.

The Leadership Behind the Recognition

The statement is clear that this achievement belongs to the community’s leadership and its collective will. “For our culture to flourish, for Oromos to be honored, and for Oromia to be viewed as a nation, the leadership of the Oromo Community Association of Northern Alberta played a lion’s share — and this is where it came from.”

That acknowledgment matters. In diaspora communities, recognition rarely arrives on its own. It must be cultivated — through relationship-building with local governments, through participation in multicultural events, through education, and through the persistence of community organizations.

A Model for Others

The Edmonton community also highlighted a striking achievement: at God-Hambaalee Edmonton, one of the city’s major multicultural festivals featuring over 90 countries, Oromia participated as a nation in its own right — complete with its own displays and presentations, which finished among the top ranks of participants.

For a community whose homeland has often been marginalized, denied recognition, and subjected to systemic oppression, this is no small thing. It is a reversal of the invisibility that has too often been imposed on Oromo people.

The statement also noted that many multicultural associations exist across Canada, but none has demonstrated the same strength, diplomatic skill, and ability to articulate the Oromo experience as this one. The community did not celebrate in isolation — it celebrated in public, with recognition, and with dignity.

Gratitude and Looking Forward

The message closes with gratitude — to the Oromo community of the region, to OCANA’s leadership, and to everyone who contributed to making Irreechaa 2026 a success. It also issues a challenge to other Oromo communities: learn from this example. The community intends to build on this momentum, and future plans are already taking shape.

To those who are honoring their country and culture, the community offers its blessing: Irreecha milkii — may your Irreechaa be fruitful and blessed.

Why This Matters

Irreechaa in Edmonton is not just a local story. It is a template for how diaspora communities can transform sacred traditions into civic recognition — without compromising the spiritual essence of the festival. It shows that cultural preservation and public engagement are not mutually exclusive. And it demonstrates that when a community organizes, advocates, and speaks with one voice, governments listen.

For Oromos across Australia, North America, Europe, and beyond, the Edmonton example offers both inspiration and a challenge: celebrate proudly, organize strategically, and ensure that Irreechaa is not only a memory carried from home, but a living tradition recognized by the nations in which it is celebrated.

Baga Irreecha milkiin geessan!


#Irreecha_Edmonton #Irreechaa #Oromo #Oromia #OCANA #Edmonton #Alberta #Diaspora #CulturalHeritage #Waaqeffannaa #Oromummaa

Irreechaa 2026 celebrations in the global cultural event.

Irreechaa, the Oromo Thanksgiving Festival, is a global celebration of gratitude, unity, and cultural heritage for the Oromo people, with major events scheduled across North America, Europe, and Australia in 2026.

Here is a summary of the major 2026 celebrations:

  • North America: Seattle (Oct 4), Washington, DC (Oct 2-4), Portland (Oct 3), Winnipeg (Sept 26), Ottawa (Sept 26), Edmonton (Sept 19), Minneapolis (Sept 19), Calgary (Sept 26).
  • Europe: Rome, Italy (Oct 10), Oslo, Norway (Oct 3).
  • Australia: Berwick, VIC (Sept 27).

🌳 Themes & Significance

The festival is often described as a “celebration of Thanksgiving, Unity & Oromo Culture”. Its core themes include:

  • Gratitude: Giving thanks for blessings and peace (“Galateeffannaa”).
  • Unity: Fostering togetherness among the Oromo community and beyond (“Tokkummaa”).
  • Culture: Honoring traditional practices, music, dance, and attire (“Aadaa”).
  • Symbolism: The Odaa tree plays a central role, symbolizing peace, reconciliation, and the connection between the community and nature.

The Ethio-Canadian Connection

A major related event is the 26th Annual Ethio-Canadian Day in Toronto, scheduled for September 5-6, 2026 at Christie Pits Park. This is a two-day celebration that highlights Ethiopian heritage in Canada, contributing to the broader cultural mosaic of the region.

📅 Planning Your Attendance

If you plan to attend, please double-check the final dates and locations with local organizers, as some schedules may be subject to change.

A Trailblazer Honoured: Dr Melika Sheikh-Eldin Inducted into the Victorian Honour Roll of Women

By Dhabessa Wakjira


In a moment that celebrates both personal achievement and the power of lived experience, Dr Melika Sheikh-Eldin — Manager of International and Community Development at AMES Australia — has been inducted into the Victorian Honour Roll of Women, one of the state’s most prestigious recognitions of women’s contributions to their communities and the nation.

The announcement was met with pride and joy across AMES Australia and the broader settlement sector, where Dr Melika has been a guiding force for more than two decades.

“Congratulations to Dr Melika Sheikh-Eldin, our Manager of International and Community Development, on being inducted into the Victorian Honour Roll of Women,” AMES Australia shared in a statement. “This well-deserved recognition celebrates Melika’s outstanding leadership and commitment to creating opportunities for multicultural communities.”

A Journey from Refugee to World-Leading Innovator

Dr Melika’s story is one of remarkable transformation — and of turning personal hardship into a force for systemic change. She fled war in Eritrea in the late 1970s, volunteering in Sudanese refugee camps and in Cairo for organisations including the United Nations High Commissioner for Refugees (UNHCR) , the Red Cross, and Save the Children. She resettled in Australia in 1992.

Since joining AMES Australia in 2001, she has dedicated her career to settlement, community development, capacity building, and advocacy. Her work has helped thousands of new arrivals settle successfully in Australia and has influenced settlement policy and practice both nationally and internationally.

At the Victorian Honour Roll of Women ceremony, it was recognised that Dr Melika Sheikh-Eldin has transformed her lived experience as a refugee into world-leading approaches to community integration and social cohesion.

Three World-Leading Models

Dr Melika’s impact at AMES Australia is perhaps best illustrated by the innovative programs she has led — programs that have become blueprints for others:

1. The Nhill Rural Settlement Project

In western Victoria, the small town of Nhill was facing economic decline. Dr Melika’s project settled Karen refugees in the community, revitalising the town’s economy and creating a model now considered a global blueprint for rural settlement.

2. The Werribee Park Gardening Program

Engaging isolated Karen women in gardening, this program addressed critical issues of isolation and mental wellbeing. Its success was so evident that the model has been adopted by other organisations.

3. The Community Guides Program

Perhaps her most influential innovation, the Community Guides Program recruits former refugees to use their lived experience to assist new arrivals. Dr Melika has travelled to Sweden, New Zealand, and Japan to help international organisations establish programs based on this model.

Challenging Stereotypes, Championing Two-Sided Education

Throughout her career, Dr Melika has disrupted gender stereotypes and challenged the public perception of what refugees can achieve. Central to her philosophy is the concept of “two-sided education” — the idea that both host communities and new arrivals must learn about one another for true integration to occur.

This mutual learning, she explains, helps mitigate the fear of the unknown — the anxiety that so often fuels resistance to newcomers. It is a simple but profound insight: integration is not something done to refugees, but something built with them, and with the communities that receive them.

A Scholar and a Mother

Dr Melika’s achievements are all the more remarkable given the circumstances in which she pursued them. While raising three children as a refugee in a small Australian town, she completed a PhD in aquatic science — a testament to her intellectual rigor and her refusal to be defined by the limitations others might have placed upon her.

Since 2007, she has also sat on the board of the Refugee Council of Australia and represented the nation as a “Refugee Voice” at annual UNHCR consultations in Geneva, advocating for policy shifts that recognise refugees as stakeholders rather than recipients of aid.

A Well-Deserved Recognition

The Victorian Honour Roll of Women celebrates women who have made exceptional contributions to Victoria and beyond. Inductees are recognised for their leadership, courage, and lasting impact on their communities.

Dr Melika’s induction places her among a distinguished group of women who have shaped the state’s social, cultural, and political landscape. For the Oromo community and for refugees and migrants across Australia, her recognition is a moment of immense pride.

“Congratulations, Melika. We are incredibly proud of you,” AMES Australia said. 💙


Learn More

To read Dr Melika Yassin Sheikh-Eldin’s full profile on the Victorian Honour Roll of Women, visit:

🔗 https://www.vic.gov.au/dr-melika-yassin-sheikh-eldin


#AMESAustralia #AMES #Award #VictorianHonourRoll

Melbourne Irreechaa Festival 2026: The Ultimate Guide to Celebrating Oromo Thanksgiving in Australia

By Dhabessa Wakjira


For the Oromo diaspora in Melbourne, Irreechaa is more than a festival. It is a sacred homecoming — a chance to gather by the water, give thanks to Waaqa, and pass the flame of Oromummaa to the next generation. In 2026, the Melbourne Oromo community will once again celebrate this ancient tradition on Australian soil, welcoming all who wish to share in its beauty, meaning, and joy.

This guide covers everything you need to know about the 2026 celebrations, from dates and locations to the rituals, etiquette, and cultural significance of Irreechaa in the diaspora.


What Is Irreechaa?

Irreechaa is the annual Oromo thanksgiving festival, celebrated at the banks of rivers and lakes across Oromia. It marks the end of the rainy season (Ganna) and the beginning of a new year of hope, renewal, and abundance. Rooted in Waaqeffannaa, the traditional Oromo belief in one God (Waaqa), the festival predates Christianity and Islam and has been passed down through generations for thousands of years.

Participants carry fresh green grass and yellow daisies (daraaraa keelloo) to the water’s edge, dip them into the water as an offering of gratitude, and sing ancient songs of praise and blessing. The festival is also a time of reconciliation — disputes are settled before participation, and communities come together in peace.

For the diaspora, Irreechaa is a vital cultural anchor. It connects Oromos in Australia to their homeland, their ancestors, and one another .


2026 Melbourne Irreechaa Events

The Melbourne Oromo community typically celebrates two major Irreechaa festivals each year: Irreechaa Arfaasaa (the spring celebration) and Irreechaa Malkaa (the main thanksgiving at the water’s edge).

Irreechaa Arfaasaa 2026

Date: Sunday, April 26, 2026
Location: Dandenong Mountain (Tulluu Dandenong), Melbourne
Time: Morning (exact time to be announced)
Organizers: Oromo Irreecha Association and Melbourne Oromo community

Irreechaa Arfaasaa marks the end of the dry season and the beginning of the rainy season. It is a spring celebration that follows traditional Oromo customs, beginning with the blessing of elders .

Irreechaa Malkaa 2026

Irreechaa Malkaa, the main thanksgiving festival, is typically celebrated in September or October, corresponding with the end of the rainy season in Ethiopia. Past Melbourne Irreechaa Malkaa celebrations have been held at locations such as Wilson Botanic Park in Berwick.

The 2026 date and location for Melbourne will be announced by community organizers as follows closer to the time.

Date: Sunday, September 27, 2026
Location: Wilson Botanic Park in Berwick, Melbourne
Time: 11:00am
Organizers: Oromo Irreecha Association and Melbourne Oromo community


What to Bring

Organizers have specified the following items for attendees :

ItemPurpose
WaterFor personal use and the ritual
FlowersFor the Irreechaa tradition (yellow daisies if available)
Fresh green grassSymbol of life, fertility, and gratitude
A spirit of gratitudeThe heart of Irreechaa

Wear traditional Oromo clothing if you have it. The vibrant colors and styles are a beautiful expression of cultural pride and identity.


What to Expect: The Rituals and Traditions

Irreechaa follows a structured, reverent sequence of events. Here is what you can expect at a Melbourne celebration:

1. Blessing of Elders

The celebration begins with blessings and prayers led by community elders (Abbaa Gadaa, Hadhasiinqee, and respected community members). These blessings focus on peace, prosperity, and remembering those who sustained the tradition .

2. The Procession

Participants walk together toward the water (or the designated sacred area). In traditional Irreechaa, women walk in front of the elders — a practice rooted in the Siinqee institution that symbolizes women as sacred and as agents of peace.

3. Carrying Grass and Flowers

Attendees carry fresh green grass and yellow flowers to the water’s edge. The grass is a symbol of life, fertility, and the connection between the Oromo people and the earth .

4. Dipping and Sprinkling

Upon reaching the water, participants dip the grass and flowers into the water and sprinkle water on themselves and others as a blessing. This act symbolizes purification, renewal, and the washing away of the past year’s hardships .

5. Songs and Prayers

The air fills with the sounds of traditional Oromo songs (faaruu) — songs of gratitude, hope, and blessing. Women sing “Maariyoo… Maareyoo…” (“your mercy on us”), while men chant the Irreechaa songs alongside them. The communal singing is a powerful expression of unity and shared emotion .

6. Cultural Performances and Food

After the rituals, the celebration continues with traditional music, dances (such as the Siiqqee and Gumii dances), and communal meals featuring Oromo food. It is a time for storytelling, laughter, and strengthening community bonds .


Irreechaa Etiquette: How to Participate Respectfully

Irreechaa is a sacred festival, not merely a cultural event. If you are attending for the first time — whether you are Oromo or from another background — here are important guidelines to ensure your participation is respectful and meaningful:

Do:

  • Wear traditional clothing if you have it. It is a sign of respect and pride.
  • Follow the lead of elders and community organizers.
  • Carry grass and flowers to the water as an offering.
  • Sing along if you know the songs — or simply listen and absorb the moment.
  • Respect the natural environment. Leave no waste behind. The Oromo value of caring for nature is central to Irreechaa.
  • Be present with gratitude. Irreechaa is a time of thanksgiving, reconciliation, and peace.

Don’t:

  • Don’t splash water indiscriminately. The water ritual has specific traditional meaning.
  • Don’t preach or distribute religious materials of other faiths at the Malkaa (water site). Irreechaa is rooted in Waaqeffannaa, and the sacred space should be respected.
  • Don’t make noise or ululate during the solemn moments of the ceremony before the water ritual is complete.
  • Don’t block the path with vehicles. Irreechaa is a communal pilgrimage — walk with the community if you are able.

These guidelines are not restrictions on participation. They are invitations to engage more deeply, with the reverence that Irreechaa deserves.


Why Irreechaa Matters in the Diaspora

For Oromos in Melbourne, Irreechaa serves several vital functions:

Cultural preservation. It ensures that younger generations born or raised in Australia learn about their heritage, language, and traditions. The festival is a living classroom for Oromummaa .

Community cohesion. It brings together families and individuals scattered across Victoria, strengthening social bonds and creating a sense of belonging .

Connection to homeland. It bridges the physical distance between Australia and Oromia, allowing the diaspora to maintain a profound spiritual and cultural connection to their ancestral land .

Intercultural exchange. Melbourne Irreechaa events often welcome local government officials, multicultural organizations, and curious residents, fostering mutual respect and understanding between communities.


The Spiritual Meaning of Irreechaa

At its heart, Irreechaa is an act of thanksgiving to Waaqa for the blessings of the past year and a prayer for peace and abundance in the year to come. It is a time of reconciliation — when those in conflict bury the hatchet and communities heal.

The festival is also a celebration of the Gadaa system, which upholds national unity, reconciliation, and solidarity. Irreechaa is one of the mammoth outdoor cultural festivals that showcase Ethiopia’s wealth of cultural heritage .

As one community message beautifully expressed:

“Irreecha is not a memory. It is a living prayer. And you are the ones who keep it alive.”


Practical Information

Getting There: Dandenong Mountain and other past venues are accessible by public transport and car. Check with organizers for specific directions and parking information.

Weather: Melbourne weather is unpredictable. Dress in layers and bring sun protection. April can be cool and changeable.

Accessibility: Contact organizers in advance if you have accessibility needs.

Staying Updated: Follow Advocacy for Oromia and local Oromo community associations on social media for the latest announcements about Irreechaa Malkaa 2026 and any changes to Irreechaa Arfaasaa details.


Baga Irreechaa Nagaan Geessan!

Whether you are Oromo, a friend of the Oromo community, or simply someone who wishes to witness a beautiful and meaningful cultural tradition, you are welcome at Melbourne Irreechaa 2026.

Come with an open heart. Come with gratitude. Come ready to sing, to celebrate, and to honor a tradition that has survived centuries of suppression and continues to thrive in every corner of the world where Oromo people gather.

Irreechaa keessan haa fudhatamu. May your thanksgiving be accepted. 🌿💚


Source information: Advocacy for Oromia, Oromia Communication Bureau, and the Melbourne Oromo community

“Welcome Home”: Artist Daawwitee Mokonnon Returns to Ethiopia After 27 Years, Received with Celebration in Bole

By Dhabessa Wakjira


ADDIS ABABA — After 27 long years away from home, renowned Oromo artist Daawwitee Mokonnon has returned to Ethiopia. The beloved singer and cultural figure was welcomed with a warm and celebratory reception in Bole, marking an emotional homecoming that has touched the hearts of many Oromos at home and abroad.

“Baga nagaan gara biyya abbaaketti galte!” — “Welcome back to your fatherland!” — read the message shared by the Oromia Communication Bureau, capturing the joy and relief that accompanied him return.

A Long Journey Home

Twenty-seven years is a lifetime. For Daawwitee Mokonnon, those years were spent in exile — far from the land, the people, and the culture that shaped him art and his identity. His music, however, never left. Throughout him time abroad, his voice remained a powerful thread connecting the Oromo diaspora to their homeland, a source of comfort, pride, and remembrance for millions.

Now, that thread has come full circle. His return is not merely a personal milestone; it is a symbolic moment for the Oromo people — a reminder that distance, however long, cannot sever the bond between an artist and his nation.

A Reception Fit for a Cultural Icon

The reception in Bole was filled with the warmth and reverence befitting an artist of his stature. Community members, fellow artists, and admirers gathered to welcome him back, celebrating not only his return but also the decades of cultural contribution he has made from afar.

Daawwitee Mokonnon is more than a singer. He is a keeper of Oromo musical heritage, a voice that has carried the stories, struggles, and aspirations of her people across borders and generations. His songs have been sung at Irreechaa gatherings, at family celebrations, and in quiet moments of longing for home. For many in the diaspora, his music was a piece of Oromia they could carry with them.

A Symbol of Hope and Reconnection

His return after 27 years carries profound meaning. It speaks to the resilience of the Oromo people and the enduring pull of the homeland. It is a reminder that exile, however painful, does not have to be permanent — and that the cultural treasures preserved abroad can, and do, find their way back home.

For younger Oromos who grew up hearing his name but never seeing him in person, his return is an opportunity to connect with a living legend. For elders who remember his performances from decades past, it is a joyful reunion. For the diaspora, it is a sign that the distance between home and abroad is not insurmountable.

A Homecoming That Belongs to All

While the reception was held in Bole, the significance of Daawwitee Mokonnon’s return extends far beyond one city or one gathering. It belongs to every Oromo who has ever longed for home, every family separated by circumstance, and every artist who has carried their culture with them into unfamiliar lands.

His journey back is a testament to the power of perseverance and the unbreakable connection between an artist and his people.

Baga nagaan gara biyya abbaaketti galte, Daawwitee! 🥰

Welcome home.


Source: Oromia Communication Bureau

Preserving the Sacred: Why Irreechaa Needs Correction, Not Just Celebration

By Dhabessa Wakjira


Irreechaa is more than a festival. It is a sacred covenant between the Oromo people and Waaqa — a day of thanksgiving, reconciliation, and renewal that has survived centuries of suppression. But as the celebration grows in size and visibility, so too does the need to protect its spiritual integrity.

A recent community message, circulated among Oromo elders and youth, raises urgent concerns about practices that have crept into modern Irreechaa celebrations — practices that, while perhaps well-intentioned, risk distorting the festival’s deep cultural and spiritual meaning. The message is not an attack on the celebration. It is a call to return to the duudhaa — the sacred customs and traditions — that give Irreechaa its power.

The concerns can be grouped into four key areas that, according to the message, must be corrected.

1. The Time of Irreechaa Malkaa Must Not Be at Night

The first concern is about timing. According to Oromo tradition, Irreechaa Malkaa should not be performed at night. The Oromo people have their own natural sense of time, rooted in family life and community rhythms. A person rises, tends to their household, prepares coffee, and then proceeds to the water’s edge for Irreechaa — honoring the customs passed down through generations.

The tradition describes how participants should approach the water: carrying fresh grass and flowers, singing the sacred songs of Mareyoo, and moving with reverence. Elders sing “Araaroo yaa araari hoo / Ararsaa waaqatu jalaataa / Nuuf Ararami hoo” — calling for peace and blessing from Waaqa. The youth accompany the elders respectfully, and upon reaching the Malkaa, no one should make noise or ululate until the Irreechaa ceremony at the water is complete.

This is a call to restore the solemnity and order that should define the procession. Irreechaa is not a chaotic gathering; it is a structured, reverent spiritual journey.

2. The Water Ritual Must Follow Tradition

The second concern addresses how the water ritual is performed. According to the message, sprinkling water on oneself and others — or turning back before reaching the designated Irreechaa site — is not part of Oromo duudhaa. The practice of indiscriminately splashing water, the message warns, resembles a “cuubbaa” (baptismal) ritual rather than the traditional Oromo offering.

The Abbootii Gadaa (Gadaa leaders) are called upon to correct this. The water of Irreechaa is sacred — it is meant for purification and blessing in a specific, reverent manner, not for casual splashing. The distinction matters because Irreechaa is rooted in Waaqeffannaa, the traditional Oromo faith, and its rituals must remain true to that origin.

3. Vehicles Must Not Obstruct the Path to the Malkaa

The third concern is practical but deeply important: the overuse of vehicles on Irreechaa day is obstructing access to the Malkaa. While some vehicles are genuinely necessary — for security, emergency services, or for elderly and disabled participants — the message argues that too many cars are being used for entertainment and convenience, narrowing the roads and blocking the path for those who wish to walk.

The message specifically notes that artists and well-known figures should walk with the community rather than being driven, closing roads and causing hardship for ordinary participants. The image of last year’s Irreechaa, where celebrants struggled because roads were blocked by vehicles carrying notable figures, is still fresh in memory.

Irreechaa is a communal pilgrimage. Walking together — as one people, regardless of status — is part of what makes it sacred. Vehicles should be limited to genuine necessity, not convenience or display.

4. Respect for the Spiritual Boundaries of Irreechaa

The fourth concern is perhaps the most sensitive. The message observes that people of other faiths are attending Irreechaa and engaging in practices that contradict its spiritual purpose — including singing, preaching, and distributing religious materials at the Malkaa that promote beliefs other than Waaqeffannaa.

The message does not say that non-Waaqeffannaa participants are unwelcome. Irreechaa is a national and cultural celebration, and all Oromos are invited to share in it. But the Malkaa is a sacred space with its own spiritual rules. Those who come should respect the boundaries of the tradition they are joining. Proselytizing at the water’s edge — whatever the faith — is not part of Irreechaa and does not honor its purpose.

The message calls on those who engage in such practices to reflect on their actions, and on the Abbootii Gadaa to safeguard the spiritual integrity of the festival.

The Call to the Abbootii Gadaa

The message concludes with a direct appeal: the Abbootii Gadaa and community elders must take the lead in correcting these practices. Specifically, they are asked to address:

  • Celebrations at 10 PM that should not be happening
  • The sprinkling of water that departs from tradition
  • The obstruction of roads by unnecessary vehicles
  • The introduction of foreign religious practices at the Malkaa

These are not minor details. They are the difference between a festival that honors its ancestors and one that drifts into something unrecognizable.

Irreechaa Is Peace, Reconciliation, and Blessing

The message ends with a reminder of what Irreechaa truly is:

“Irreechi Nagaa, Araara, Milkii fi quufa. Baga geenye!”
“Irreechaa is Peace, Reconciliation, Blessing, and Abundance. Welcome!”

This is the heart of the matter. Irreechaa is not a party. It is not a parade. It is not a platform for personal recognition or religious outreach. It is a sacred act of gratitude to Waaqa, a communal reconciliation, and a prayer for peace and abundance in the year to come.

If the celebration is to remain meaningful for future generations, it must be practiced with the same reverence, order, and fidelity to tradition that has kept it alive for centuries — through persecution, suppression, and diaspora.

The message is a wake-up call. And it is one that deserves to be heard.

From Refugee to Trailblazer: How Dr Melika Yassin Sheikh-Eldin Is Reshaping Australia’s Approach to Settlement

By Dhabessa Wakjira


When Dr Melika Yassin Sheikh-Eldin fled war in Eritrea in the late 1970s, she could not have known that her journey would one day help shape how an entire nation welcomes its newest arrivals. But that is precisely what happened. Over four decades, Melika has transformed her lived experience as a refugee into world-leading models for community integration and social cohesion — models now studied and adopted far beyond Australia’s shores.

She has helped thousands of new arrivals settle successfully. She has disrupted gender stereotypes and challenged public perceptions of what refugees can achieve. And she has done so while raising three children, completing a PhD, and representing Australia on the global stage as a “Refugee Voice” at United Nations consultations in Geneva.

Her story is not simply one of personal triumph. It is a blueprint for what is possible when refugees are recognized not as recipients of aid, but as stakeholders, leaders, and architects of their own futures.

A Journey Forged in Service

Melika’s path to Australia was neither short nor simple. After fleeing Eritrea, she volunteered in Sudanese refugee camps and later in Cairo. Her dedication drew the attention of some of the world’s most respected humanitarian organizations. She volunteered for the United Nations High Commissioner for Refugees (UNHCR) , the Red Cross, and Save the Children — gaining frontline experience that would later inform her professional approach.

She resettled in Australia in 1992, bringing with her not only the scars of displacement but also an unshakeable commitment to service. That commitment found its home at AMES Australia, where she has been a pivotal leader since 2001 and has served as Manager of Settlement Support Services since 2006.

Since 2007, she has sat on the board of the Refugee Council of Australia and represented the nation as a “Refugee Voice” at annual UNHCR consultations in Geneva. In that role, she has advocated relentlessly for policy shifts that recognize refugees as stakeholders rather than passive recipients of aid — a principle that has guided every project she has led.

Three World-Leading Models

Melika’s work at AMES Australia has produced initiatives that are now considered global blueprints for settlement and integration. Three stand out in particular.

1. The Nhill Rural Settlement Project

In western Victoria, the small town of Nhill was facing economic decline. Melika’s project settled Karen refugees in the community — and the results were transformative. The town’s economy was revitalized, and the model is now regarded internationally as a global blueprint for rural settlement. It demonstrated that refugee settlement is not a burden but an opportunity — for the newcomers and for the host community alike.

2. The Werribee Park Gardening Program

Isolation and mental wellbeing are critical challenges facing many refugee women, particularly those who arrive without established community networks. Melika’s program engaged isolated Karen women in gardening at Werribee Park. The initiative directly addressed these challenges, and its success was so evident that the model has since been adopted by other organizations.

3. The Community Guides Program

Perhaps Melika’s most influential innovation is the Community Guides Program, which recruits former refugees to use their lived experience to assist new arrivals. The logic is elegant: those who have walked the path themselves are uniquely positioned to guide others along it. The program has proven so effective that Melika has traveled to Sweden, New Zealand, and Japan to help international organizations establish programs based on the AMES Community Guides model.

Challenging Stereotypes, Championing Two-Sided Education

Melika’s impact extends beyond program design. She has been a powerful voice in disrupting gender stereotypes and challenging the public perception of what refugees can achieve. At a time when refugee women are often portrayed as passive or dependent, Melika’s leadership — and the leadership she cultivates in others — tells a different story.

Central to her philosophy is the concept of “two-sided education.” Integration, she argues, is not a one-way process. Both host communities and new arrivals must learn about one another for true integration to occur. This mutual learning, she explains, helps mitigate the fear of the unknown — the anxiety that so often fuels resistance to newcomers.

It is a simple but profound insight: integration is not something done to refugees, but something built with them, and with the communities that receive them.

A Scholar and a Mother

Melika’s achievements are all the more remarkable given the circumstances in which she pursued them. While raising three children as a refugee in a small Australian town, she completed a PhD in aquatic science — a testament to her intellectual rigor and her refusal to be defined by the limitations others might have placed upon her.

Her academic background in science may seem distant from her work in settlement, but both reflect the same qualities: careful observation, systematic thinking, and a commitment to understanding complex systems — whether ecosystems or communities.

A Legacy Still Being Written

Dr Melika Yassin Sheikh-Eldin’s story is a reminder that refugee experiences are not only stories of loss. They are also stories of contribution, innovation, and leadership. Her work has reshaped how Australia approaches settlement, and her models continue to influence practice internationally.

But perhaps her most enduring legacy is the principle she has championed throughout her career: that refugees are not problems to be solved, but partners to be engaged. They are not merely recipients of aid, but stakeholders in their own futures — and, as Melika’s own life demonstrates, architects of the futures of others.

From a young woman fleeing war to a world-leading voice in settlement and integration, Melika’s journey is a testament to what becomes possible when refugees are given the opportunity — and the respect — to lead.


Dr Melika Yassin Sheikh-Eldin is the Manager of Settlement Support Services at AMES Australia and a board member of the Refugee Council of Australia.

Source: Dr Melika Yassin Sheikh-Eldin | vic.gov.au