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FEATURE NEWS: Funeral of Artist Ilfinash Qannoo to Be Held Tomorrow in Ambo

Organizing Committee Confirms Final Farewell for Oromo Cultural Icon
Finfinnee, Fulbaana 07, 2026 – The funeral service and burial ceremony for beloved Oromo artist and freedom fighter Ilfinash Qannoo will take place tomorrow, the organizing committee has confirmed. The final rites are scheduled to be held in the town of Ambo, following a series of commemorative events in Finfinnee.
A Day of Farewell: The Funeral Itinerary
According to Obbo Lammii Beenyaa, a member of the funeral organizing committee, the day’s proceedings will unfold as follows:
| Time in local time | Event |
|---|---|
| 11:00 – 12:00 | Departure of the body from Koriyaa Hospital in Finfinnee |
| 12:00 – 1:00 | Transfer to Finfinnee Stadium for public tribute |
| 1:00 – 3:00 | Formal commemoration and honoring ceremony at Finfinnee Stadium |
| 3:00 onwards | Procession carrying the body to Ambo |
| Upon arrival in Ambo | Funeral and burial ceremony to be conducted |
A Heroine Returns Home
The decision to hold the funeral in Ambo reflects the wishes of the family and the broader Oromo community to honor Ilfinash Qannoo in a location of deep cultural and historical significance. The journey from Finfinnee to Ambo will allow thousands of mourners to pay their final respects to the artist who dedicated her life to the Oromo struggle.
The public tribute at Finfinnee Stadium is expected to draw large crowds, as Ilfinash Qannoo was not only a celebrated musician but also a symbol of resilience and resistance for generations of Oromos. Her songs of unity, justice, and freedom resonated across the Oromo nation and the global diaspora.
Committee Calls for Orderly Participation
The organizing committee has urged all attendees to participate in the funeral proceedings with dignity and respect, maintaining the spirit of unity that Ilfinash Qannoo championed throughout her life. Security and logistical arrangements are being put in place to ensure a smooth and solemn farewell for the departed heroine.
As the Oromo nation prepares to lay its beloved artist to rest, the words of her final songs echo once more: a call for unity, a plea for justice, and a dream of freedom that will not die with her.
“Ilfinash duutus seenaan gootummaa ishii bara baraan dhaloota qaraa, leellifamaa jiraata.”
“Even in death, the legend of her heroism is praised across generations for ages to come.”
#IlfinashQannoo #Funeral #OromoUnity #Ambo #RestInPower #Oromia
On the Passing of Artist Ilfinash Qannoo – Beloved Cultural Icon and Symbol of Oromo Resistance

The official press release from the Oromo Federalist Congress (OFC/KFO) regarding the passing of Artist Ilfinash Qannoo:
OFFICIAL FEATURE STATEMENT
On the Passing of Artist Ilfinash Qannoo – Beloved Cultural Icon and Symbol of Oromo Resistance
Issued by the Oromo Federalist Congress (OFC/KFO)
Qaammee 2, 2018 (E.C.) | Finfinnee, Oromia, Ethiopia
A Profound Loss to the Oromo Nation
The Oromo Federalist Congress (OFC/KFO) received with deep sorrow, profound heartbreak, and heavy grief the news of the passing of the beloved Oromo artist, cultural emblem, and lifelong advocate for justice – Artist Ilfinash Qannoo.
Born and raised in Naqamtee, Western Oromia, Ilfinash Qannoo was never merely a performer. She was the voice of a silenced people. Her protest songs became the very foundation of Oromo political awakening – lyrics that for decades spoke unflinchingly of oppression, marginalization, and the long-cherished dream of democracy for our people.
A Voice That Would Not Be Silenced
The powerful voice of Ilfinash – which for years had challenged regimes, dictators, and prolonged systems of subjugation – still echoes as an eternal memory. She inspired generations of Oromo youth to preserve their culture, stand firm in their identity, and fight courageously for their fundamental human rights.
Her music was not entertainment; it was resistance set to melody. Her stage was not a platform; it was a pulpit for truth. Her audience was not merely fans; they were a movement in the making.
Her Final Days and Peaceful Departure
In her final days, she had recently returned to her homeland. While undergoing medical treatment at a hospital, she was overtaken by illness, and on Qaammee 1, 2018 (E.C.), she passed from this life – a departure that has left an unfillable void in the heart of the Oromo nation.
Yet, even in this loss, we draw immense strength from the message of unity she left behind – a message that will never fade from the hearts of the Oromo people. Though her physical form may depart, the seeds of unity, resilience, and love for freedom that she planted in the hearts of millions of Oromos will continue to grow and flourish across generations.
A Call to Honor Her Legacy
The Oromo Federalist Congress (OFC/KFO) extends its deepest condolences to her family, her friends, her fellow artists, and the entire Oromo community across the globe.
We call upon our people to honor her memory by upholding the very principles she sang for throughout her lifetime:
- Unity – standing together as one nation.
- Equality – demanding justice for all.
- Democracy – continuing the struggle for fundamental rights.
Let her music remain our anthem. Let her courage be our compass. Let her sacrifice fuel our determination.
Final Prayer and Tribute
We pray to the Almighty to grant her family and loved ones strength and patience during this time of immense loss, and to bestow upon her soul eternal peace and rest.
Her name shall not be forgotten. Her songs shall not fade. Her spirit shall walk with every Oromo who dares to dream of a free and just tomorrow.
Rest in Power, Ilfinash Qannoo.
Your voice was our weapon. Your legacy is our foundation.
Issued by:
Oromo Federalist Congress (OFC/KFO)
Finfinnee, Oromia, Ethiopia
Qaammee 2, 2018 (E.C.)
#IlfinashQannoo #OromoUnity #CulturalHero #JusticeForOromia #LegacyLives

On the Departure of Beloved Artist and Freedom Fighter Ilfinash Qannoo

The official press release from the Oromo Liberation Front (OLF/ABO) regarding the passing of beloved artist and freedom fighter Ilfinash Qannoo:
OFFICIAL FEATURE STATEMENT
On the Departure of Beloved Artist and Freedom Fighter Ilfinash Qannoo
Issued by the Oromo Liberation Front (OLF/ABO)
Fulbaana 07, 2026 | Finfinnee, Oromia
A Great Heroine Has Fallen
The Oromo Liberation Front (OLF/ABO) announces with profound grief and a heavy heart the passing of the great Oromo heroine, patriot, and freedom fighter – Beloved Artist Ilfinash Qannoo – who departed from this world on Fulbaana 06, 2026, in the heart of Oromia, at Finfinnee.
Her loss is not merely the loss of an artist. It is the silencing of a voice that sang freedom for over six decades. It is the emptying of a heart that burned with love for Oromia. It is the falling of a flag that inspired millions to rise against oppression.
Roots of a Revolutionary
Artist Ilfinash Qannoo was born in 1962 to her father, Obbo Qannoo Galdaasaa, and her mother, Aadde Zartihun Qananii, in the town of Saxxoo, located in Eebbaa district, East Wallagga Zone, Western Oromia – a region that would later become the cradle of many liberation struggles.
From her childhood, she was drawn to the arts. But her coming of age coincided with a period of intense political awakening across Ethiopia – a time when the Oromo people and other nations rose against the oppressive system. It was this environment that shaped her destiny and transformed her from a simple performer into a voice of the voiceless.
The Song That Shook the Throne
Her path to fame – and to persecution – began in 1976 at a historic cultural performance in Finfinnee. There, she posed the revolutionary question that would become an anthem of resistance:
“Qawwee malee maaltu bilisa nu baasa?”
(“Without the gun, what will set us free?”)
From that moment onward, her life became inseparable from the struggle for Oromo liberation. She dedicated every song, every performance, and every breath to:
- Glorifying the Oromo struggle
- Preaching Oromo unity
- Dreaming of Oromo freedom
- Empowering the Oromo people
Her stage became a battlefield. Her microphone became a weapon. Her lyrics became a declaration of war against injustice.
The Price of Resistance
For her unwavering commitment to the Oromo cause, she paid a heavy price. Under both the Derg regime and the later Woyanne (TPLF/EPRDF) government, she endured long years of imprisonment alongside countless other freedom fighters.
Her suffering did not end there. During her incarceration under the Woyanne regime, she was subjected to brutal torture – including having her scalp forcibly shaved with broken glass – resulting in deep and lasting physical and psychological wounds.
Upon her release, with the help of Oromo patriots, she was secretly taken to neighboring Kenya, and later granted asylum in Norway, where she continued her work from exile.
A Lifetime of Contribution
Throughout her life, Artist Ilfinash Qannoo produced over 10 albums, each one a powerful contribution to the Oromo liberation movement. Wherever the OLF/ABO had a presence, she was there – answering the call, lending her voice, and rallying the people.
Even during the period when the OLF was hosted in Eritrea and waging its armed struggle, Ilfinash – though living in exile in Norway – traveled repeatedly to Eritrea to inspire and strengthen the fighters. Her presence among the combatants was proof of her unwavering dedication; she did not simply sing about the struggle – she lived it.
Her Final Days – Fire That Would Not Die
Her love for Oromia and her commitment to the cause never wavered. Her heart and spirit remained as strong as steel, untouched by compromise or despair. But the years of imprisonment, torture, and exile had taken a toll on her health. The physical and emotional wounds inflicted upon her in Ethiopian dungeons finally caught up with her.
In her final moments, even as her body weakened, her spirit burned bright. Her last words were not of regret, but of love:
“Oromoo koo! ABO koo! WBO koo! Bilisummaa! Oromiyaa! Tokkummaa fi jaalala Oromummaa…”
(“My Oromo! My OLF! My Oromo Liberation Army! Freedom! Oromia! Unity and love of Oromummaa…”)
She passed at the age of 64, still singing, still hoping, still burning for freedom – until her very last breath.
Artist Ilfinash Qannoo leaves behind her two beloved daughters, Hawwii and Daangaa.
A Call to Honor Her Sacrifice
The Oromo Liberation Front (OLF/ABO) extends its deepest condolences to her family, her relatives, her fellow freedom fighters, and the entire Oromo nation.
We call upon our people to remember her message of unity and love – which was her eternal legacy. We urge all Oromos to carry forward the torch she lit, and to not let the sacrifice of Ilfinash and countless other heroes be in vain.
Let us strengthen our unity. Let us reinforce our love for one another. Let us complete the struggle they began – so that Oromia may be free.
Final Salute
Her memory will forever be etched in our hearts. Her songs will forever echo in our struggles. Her spirit will forever march beside us.
Rest in power, Beloved Ilfinash Qannoo.
You did not die – you were promoted to immortality.
“Qabsa’aan ni kufa, qabsoon itti fufa!”
(“The fighter may fall, but the struggle continues!”)
Glory to the Broad Victory of the People!
Issued by:
Oromo Liberation Front (OLF/ABO)
Fulbaana 07, 2026
Finfinnee, Oromia
#IlfinashQannoo #OLF #ABO #Oromia #Bilisummaa #HeroineNeverDies #StruggleContinues


The Voice That Refused to Be Silenced: Minnesota Oromo Community Mourns Iconic Artist Ilfinash Qannoo

A tribute to a pioneering artist whose music and courage shaped Oromo identity across generations and continents
MINNEAPOLIS, Minnesota – September 6, 2026
The Oromo Community of Minnesota (OCM), one of the largest Oromo diaspora organizations in the United States, has issued a formal letter of condolence honoring the life and legacy of Artist Ilfinash Qannoo, whose passing marks the end of an era for Oromo arts and cultural expression.
In a statement released today, the organization paid tribute to an artist who, for decades, transformed personal sacrifice into an enduring cultural treasure, becoming a symbol of resistance, resilience, and identity for Oromo people worldwide.
A Life Dedicated to Cultural Preservation
Ilfinash Qannoo was more than a musician or performer. She was a cultural archivist, a linguistic guardian, and a fearless voice who understood that art could carry the weight of an entire people’s history. Through her extraordinary talent, she devoted her life to expressing Oromo identity, history, language, aspirations, and resilience—often at great personal cost.
The OCM statement emphasized that during decades when openly expressing Oromo identity could carry grave personal consequences, Ilfinash chose to speak through her art. She endured repression, imprisonment, displacement, and exile, yet her creative spirit remained unbroken. Her music and performances became acts of quiet defiance in the face of political oppression, preserving the Oromo language and traditions at a time when they were systematically marginalized.
A Pioneer for Oromo Women in Public Life
Perhaps one of her most significant legacies was her role as a trailblazer for Oromo women. At a time when restrictive expectations limited women’s participation in public life, Ilfinash challenged both political repression and social conventions.
The OCM honored her as a “pioneering role as an Oromo woman artist who challenged political repression and restrictive expectations of women in public life.” Her courage helped create space for generations of Oromo artists and women who followed, proving that creative expression and political consciousness could go hand in hand.
“Her courage helped create space for generations of Oromo artists and women who followed,” the OCM board wrote, acknowledging that her influence extended far beyond music into the very fabric of Oromo social and political life.
Music as Memory and Resistance
Ilfinash’s music became a powerful vessel for memory and cultural continuity. Her songs, which continue to circulate across generations and continents, have served as an informal archive of Oromo history, preserving stories, struggles, and triumphs that might otherwise have been lost.
The OCM statement noted that her music “reminds us of the courage, sacrifice, and determination that shaped an important chapter of Oromo history.” For Oromo communities scattered across the globe—from the Horn of Africa to the diaspora centers of North America, Europe, and Australia—her voice became a thread connecting them to their homeland and heritage.
A Global Mourning
The Minnesota Oromo community, which numbers in the thousands, joins Oromo communities around the world in mourning this profound loss. The OCM pledged to continue preserving her work and the stories of those “who carried our cultural heritage through difficult times.”
“We reaffirm our responsibility to preserve the work and stories of those who carried our cultural heritage through difficult times,” the statement reads, acknowledging that the preservation of Oromo culture rests on the shoulders of those who, like Ilfinash, sacrificed their safety and comfort for the sake of collective memory.
Calls for Celebration Amid Grief
The OCM’s formal letter follows a growing chorus within the Oromo diaspora and homeland alike, urging that Ilfinash’s life be celebrated as much as her death is mourned. Many have echoed sentiments expressed in recent weeks that her legacy is one of joy, defiance, and triumph—not merely sorrow.
“May Artist Ilfinash Qannoo rest in eternal peace, and may her memory continue to inspire generations to come,” the OCM concluded in their letter, striking a tone of solemn respect mixed with hope for the future.
A Legacy That Endures
Ilfinash Qannoo’s death represents a significant loss for the Oromo cultural landscape. Yet her life’s work ensures that her voice will continue to resonate through the generations she inspired and the communities she helped to empower.
As the Oromo diaspora reflects on her contributions, her songs will undoubtedly continue to play in homes, community gatherings, and cultural events—each note carrying the defiance, resilience, and pride of a people whose identity she devoted her life to preserving.
The Oromo Community of Minnesota’s full letter of condolence can be accessed through the organization’s official channels. The Oromo community across Minnesota and beyond extends its deepest sympathy to her family, friends, fellow artists, admirers, and the Oromo nation at large.
With deepest respect and sympathy,
Oromo Community of Minnesota (OCM)
Board of Directors
September 6, 2026
#IlfinashQannoo #OromoArt #CulturalResilience #OromoDiaspora #MinnesotaOromo #LegacyOfResistance

Eulogy: Ilfinesh Qannoo (1969-2026): A Voice That Has Nurtured Generations

By Dhabessa Wakjira
We gather today with heavy hearts to mourn the passing of Ilfinash Qannoo, and yet, even in our grief, we find ourselves compelled to celebrate a life so extraordinary that mourning alone cannot contain it. Ilfinash Qannoo was not simply a singer. She was one of the most iconic, courageous, and influential Oromo women of her generation—a woman whose life was woven inseparably into the story of her people’s long struggle for dignity, identity, justice, and self-determination.
To speak of Ilfinash is to speak of commitment that never wavered, sacrifice that was never counted as loss, courage that never asked permission, and a devotion to the Oromo cause that outlasted every hardship placed before it. Hers was a life of artistic achievement, yes, but far more than that, it was a life offered, again and again, in service of something larger than herself.
The First Note of a Lifelong Song
From the moment she first stepped forward as a member of Wollega Kinet Guad, Ilfinash set out on a path from which she would never truly depart. That early beginning was not a stepping stone toward personal fame; it was the first note of a lifelong song dedicated to her people. From those early days until her final ones, her commitment to the Oromo cause never dimmed, never bent, and never went silent. Through her music, her voice, her courage, and the example of her own life, she awakened, inspired, and nurtured generation after generation of Oromo youth.
We must remember the times in which she sang. There were years when simply expressing Oromo identity, Oromo aspiration, Oromo pride required extraordinary courage—when a melody could be an act of defiance, and a lyric could carry the weight of a people’s unspoken longing. In those years, Ilfinash did not shrink from the risk. She took the gift she had been given—her voice—and turned it into an instrument of inspiration and resistance. She sang not because it was safe, but because it was necessary.
More Than an Artist
It would be a disservice to Ilfinash Qannoo’s memory to say only that she sang songs. She did something far greater: she gave voice to the hopes, the pain, the aspirations, the courage, and the unbending determination of an entire people. When her voice rose, it did not simply fill a room or a stage; it entered the hearts of Oromo youth across generations, and in doing so, it steadied them. It reminded them who they were. It gave them the strength to stand for their identity, their dignity, and their future, even when standing was costly.
In this way, she became something more than an artist. She became a symbol, a living demonstration that a single life, fully given, could serve a cause greater than itself. She poured out her talent, her energy, her courage, her voice, and ultimately her life for the Oromo people, one of the great nations of the Horn of Africa. In doing so, she showed us all that an artist can be far more than an entertainer. An artist can be a teacher. An artist can be an inspiration. An artist can become the guardian of a people’s collective struggle, and the voice through which a people’s aspirations are carried forward.
The Song That Echoes Through Generations
Among the many songs she gave to her people, one holds a place apart in the hearts of generations of Oromo people: “WBO Koo Maaloo Ree.” Its melody has traveled from parent to child, from one generation to the next, carrying memories of struggle, sacrifice, hope, and unshaken determination. It is no longer simply a song. It has become part of the emotional and historical memory of a people, woven into their story so deeply that it will continue to echo in the hearts of Oromo people yet to be born.
Unwavering Conviction
Perhaps the greatest lesson of Ilfinash Qannoo’s life was her firm and unwavering stand on the Oromo cause. She did not abandon her convictions when times grew difficult. She did not retreat when retreat would have been easier, safer, more comfortable. Her courage and her steadfastness stand today as an example for generations still to come, and they teach us something essential: that genuine commitment is not proven in moments of comfort, but in moments of difficulty and uncertainty. It is easy to declare loyalty when nothing is being asked of you. Ilfinash showed us what it means to hold to your convictions when everything is being asked of you.
A Bond Forged in Ambo
Ilfinash’s connection to Oromo youth was profound, and it was personal. She did not stand apart from them, observing from a distance; she stood among them, encouraged them, and shared directly in their hopes and in their struggles. Her time alongside Oromo youth in the forests and surrounding areas of Ambo forged a bond of deep mutual respect and affection, one that shaped the rest of her life. The love and the respect that the people of Ambo gave her in return were immense, and that relationship became one of the most meaningful of her entire life.
So deep was her attachment to Ambo and its people that she is remembered for a wish that reveals the depth of her heart: that if she should die, she wished to be laid to rest in Ambo, or, if that could not be, then even beneath the ice of Norway. These are not the words of someone who loved a place casually. They are the words of a woman whose experiences, whose memories, and whose sense of belonging were bound up entirely with the people who had walked beside her.
A Legacy That Will Never Die
Today, as we mourn Ilfinash Qannoo, we are also called to celebrate an extraordinary life fully lived. We mourn the loss of a great artist. But we remember, and will go on remembering, a woman whose legacy reaches far beyond music alone. We remember a courageous Oromo woman who used her voice when silence would have been easier. We remember a woman who remained committed when retreat was possible. We remember a woman who inspired generations, not only through the songs she sang, but through the example of the life she lived.
Her physical voice has now gone silent. But the voice she gave to her people—the voice of hope, of resistance, of identity, of belonging—will never disappear. Her songs will continue to be sung, in homes, at gatherings, in the quiet moments when a people needs reminding of who they are. Her courage will continue to inspire those who face their own difficult and uncertain times. Her commitment will continue to be remembered as a standard against which devotion to a cause is measured. And her name will remain written into the history and the collective memory of the Oromo people, for as long as that memory is kept.
—
Ilfinash Qannoo has departed from us. But her legacy remains.
She sang for her people. She stood with her people. She gave her voice to her people.
And her voice will live on with her people, from generation to generation.
Her voice will never die. Her legacy will never be forgotten.
Rest in peace, Ilfinash Qannoo.

A Nation Mourns: The Passing of a Giant—Adde Ilfinesh Qannoo (1969-2026)

A Voice of Freedom Falls Silent, But Her Legacy Echoes Eternally
Finfinne, Oromia — Our nation lost a giant today. Adde Ilfinesh Qannoo, the renowned artist whose voice became the heartbeat of a people’s struggle, has passed from this world, leaving behind a legacy etched in the soul of the Oromo nation. Her departure marks the end of an era, but her spirit, her music, and her unyielding commitment to the Qabsoo Bilisummaa Oromoo (Oromo Liberation Struggle) will resonate for generations to come.
An Indelible Mark on History
Ilfinesh Qannoo was more than an artist; she was a monument to resilience, a symbol of identity, and a mother to a movement. Through her music, she gave voice to the joys, sorrows, and aspirations of her people, becoming a living archive of their history. Her songs, imbued with the deep cultural motifs of the Oromo, served as both a comfort and a call to action, reminding her listeners of their dignity, their heritage, and their unalienable right to freedom.
Her contributions to the Qabsoo Bilisummaa Oromoo were not merely artistic but deeply personal and sacrificial. She understood that the struggle for liberation was fought not only in the forests and on the battlefields but also in the hearts and minds of the people. Through her music, she fortified the spirit of the movement, offering hope in moments of despair and courage in the face of oppression.
A Faithful and Loyal Contributor
Throughout her life, Ilfinesh Qannoo remained steadfast in her dedication to the Oromo cause. She was a loyal contributor to the liberation struggle, using her platform to amplify the voices of the marginalized and to challenge the systems of injustice that sought to silence her people. Her courage in the face of censorship, persecution, and hardship stands as a testament to her character and her unwavering commitment to justice.
Even when her body grew frail and her steps grew slow, her spirit remained an unyielding force. Her presence at gatherings of the Oromo Liberation Front (OLF) and other movement events was a source of inspiration and moral clarity. She was the living embodiment of the Oromo proverb “Ilkaan socho’e buqqa’uun isaa hin oolamu”—a seed that moves does not rot. She was that moving seed, ensuring that the dream of liberation never decayed.
A Legacy That Lives Forever
Though her physical journey has ended, the essence of Ilfinesh Qannoo—her music, her symbolism, her love—is a permanent inheritance for the Oromo people. Her life continues to resonate, to inspire, and to fortify those who hold her memory dear. She may have left this world, but her voice remains, echoing in the songs that will be sung, the stories that will be told, and the hearts that will never forget.
Her legacy exists at a powerful intersection: the intimate space of a family mourning a beloved matriarch, and the public sphere honoring an artist who channeled a people’s soul. As flowers are laid and her songs are played anew, the Oromo nation is not just saying goodbye. They are affirming that the struggle she gave voice to continues, the identity she symbolized remains unbroken, and the love she embodied is eternal.
A Message of Condolence from Advocacy for Oromia (A4O)
The Advocacy for Oromia (A4O) joins the global Oromo community in mourning this profound loss. In a statement released today, the organization extended its heartfelt condolences to Ilfinesh Qannoo’s family and the entire Oromo nation:
“Our nation lost a giant today. Adde Ilfineesh Qannoo, a renowned artist and loyal contributor to the Qabsoo Bilisummaa Oromoo, has left an indelible mark on our people and our history. Her legacy will live on forever. The Advocacy for Oromia (A4O) extends its sincere condolences to her family and the entire Oromo nation. May she rest in peace, and may her memory continue to inspire us all.”
An Eternal Prayer
And so, we offer our unending prayer: that Adde Ilfinesh Qannoo’s soul finds the eternal comfort and peace it so deeply deserves. May her spirit rest gently, knowing that her life was a masterpiece of love, labor, and liberation. For her family, her friends, and her people, we wish the warmth of her memory, the strength of her example, and the profound solace that comes from knowing her legacy is in the most capable hands: the hands of a people who will never forget.
Rest in peace, Adde Ilfinesh Qannoo. Your struggle is over, but your victory is assured in the hearts of those you loved and who loved you in return.
—
“A name is above the grave, and your name, Ilfinesh Qannoo, is etched in gold in the annals of Oromo history.”
—
This tribute is offered by Advocacy for Oromia (A4O) and the global Oromo community in loving memory of Adde Ilfinesh Qannoo.
Oromo Literacy Day: Celebrating the Power of Stories Held in Oromia

By Maatii Sabaa
—
Every year, Oromo Literacy Day is more than a date on a calendar—it’s a living tribute to the resilience of a people and their language. It celebrates Afaan Oromoo, a language that carries the weight of history, the songs of ancestors, and the dreams of a nation. But how did the Oromo people arrive at this moment, where their stories can finally be written, read, and shared with the world? The answer lies in a long and courageous journey toward literacy.
A Written History of Resistance and Revival
The story of Oromo literacy is one of relentless struggle. The Oromo people have long possessed a rich oral tradition, but for much of Ethiopia’s modern history, their language was marginalized. It was a household language—spoken, sung, and whispered—but rarely seen on paper . The first major push to change this came in the late 19th and early 20th centuries.
A pivotal figure was Onesimos Nasib, an Oromo freed from slavery who trained as a teacher in Sweden. Upon his return, he and his colleague Aster Ganno worked with an almost missionary zeal to promote literacy in Afaan Oromoo. Onesimos created the Oromo Reader, a book filled with stories that were “short and funny” and designed to be both accessible and engaging. His aim was not just religious instruction but to cultivate a love for reading itself . He would famously ask young people he met, “Can you read and write?” and persuade them of its immense value .
However, their work met fierce opposition from the imperial government. In the mid-1940s, the Haile Selassie regime placed a total ban on Oromo literature . The language was effectively erased from public life, becoming a symbol of defiance.
The Quest for the Perfect Script
The suppression only intensified the desire for a written Oromo. The question of how to write the language became a central point of debate. Early works, like those of Onesimos, used the Ge’ez alphabet. But many activists and intellectuals believed this script was inadequate for Oromo sounds, failing to represent vowel length and consonant gemination—features that change a word’s meaning .
In the 1960s, the movement for a new script gained momentum. At Addis Ababa University, Oromo students began printing the first newspaper in Afaan Oromoo, Kana Beektaa? (“Do you know this?”), in 1968. The paper was a bold act of cultural preservation, collecting “Oromo songs, proverbs, war and grievance chants, Oromo prophecies, nuptials, baby lullabies, and others” . This was more than journalism—it was a declaration of identity. The paper was short-lived, forced to cease publication in 1971 .
Simultaneously, Oromo students in Europe were rigorously debating the script question. In 1968, a study group led by figures like Haile Fidaa concluded that a modified Latin alphabet was the most practical and linguistically sound choice for Oromo . This decision was not just technical; it was a political act of resistance, rejecting a script associated with the establishment.
A New Dawn: The Adoption of Qubee
After years of struggle, the fall of the military Derg regime in 1991 brought a turning point. The new Ethiopian constitution granted greater autonomy to regional states. Oromo was finally made the official language of the Oromia Regional State .
The Latin-based alphabet, known as Qubee, was officially adopted for writing Oromo . This was a victory decades in the making. The script’s simplicity and adaptability to modern technology made it a practical choice for a language finally stepping into the digital age. As one study noted, Qubee “enabled the language to grow faster as the script can be learned easily” .
However, the adoption was not without controversy. For some, the Ethiopic script held deep cultural significance, and the switch to a Latin alphabet was seen as an emotional and political break . Yet for the majority, Qubee represented liberation.
The Stories That Endure
The adoption of Qubee unlocked a literary explosion. Oromo youth and intellectuals began producing “newspapers, magazines, novels, translations and plays that describe their nation and their state in Afaan Oromoo” . Stories once confined to memory were now printed, preserved, and shared.
The journey has also involved recovering alternative scripts. A fascinating chapter is the story of Sheek Bakrii Saphaloo, a scholar who created a unique indigenous Oromo script. He developed an abugida, a writing system where each base glyph has multiple vocalic components, making it distinct from both the Ge’ez and Latin alphabets . This script has been used for over 70 years and is now being considered for digital preservation and inclusion in Unicode, highlighting the deep connection between literacy and cultural identity .
Why Oromo Literacy Day Matters
Oromo Literacy Day is a celebration of this entire journey. It honors the tenacity of Onesimos Nasib, the courage of student activists, and the vision of scholars who fought to give their language a written form. It is a day to recognize that literacy is not just about reading and writing; it is about power, identity, and survival.
The stories held in Oromia are now written down for the world to see. This day celebrates their liberation and their enduring power.
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“The stories, with the exception of a couple of martyr stories, are short and funny, and the subjects vary in order to attract.” — Onesimos Nasib on the Oromo Reader
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Maatii Sabaa is a writer and advocate of the Oromo stories.
The Vanished Voice: Remembering Ob Dabbasaa Guyyoo and the Unfinished Work of Cultural Custodians

On the 27th of September in the year 2015, a quiet tragedy unfolded in the bustling streets of Nairobi. Ob Dabbasaa Guyyoo, an elder in his late seventies, disappeared. He was not a politician, nor a celebrity. He was something rarer and perhaps more precious: a living archive, a walking library of Oromo knowledge, a custodian of Gadaa—the indigenous democratic system that has governed Oromo society for centuries.
The United Nations (UN) has declared the 30th of Hagayya (August) as the International Day of the Victims of Enforced Disappearances. It is a day to remember those who have been forcibly taken, their fates unknown, their families left in a purgatory of uncertainty. For the family and students of Ob Dabbasaa Guyyoo, the 27th of Fulbaana is their personal day of reckoning.
The Life Before the Silence
To understand the weight of this loss, one must understand the life that was lived. Ob Dabbasaa Guyyoo’s world was not shaped by textbooks or university lectures. It was shaped by the Gadaa system, an ancient Oromo institution that governs everything from politics to social conduct, from justice to spirituality. He grew up in its embrace, was nurtured by its principles, and graduated into its senior councils.
But Ob Dabbasaa did not keep this knowledge for himself. He was a teacher, an arsaa-dhageettii—one who uses his eyes and ears to interpret the world and pass it on to others. His mission was profound and urgent: to teach the Oromo people that they possess a civilization of their own. He traveled through villages, and across borders into neighboring countries, preaching a message of cultural pride and historical awareness.
His teaching was a quiet resistance against the forces of erasure. He did not teach with a rod or a weapon; he taught with stories, with proverbs, and with the weight of lived experience. He reminded his people, whether they were Muslim, Christian, or followers of the indigenous Waaqeffannaa faith, that their identity was a gift, not a curse.
A Philosophy of Transmission
There is a profound Oromo philosophy that underpinned his work: a person who does not know their own history is like someone who cannot cross a river without clinging to another. They are dependent, lost, and vulnerable.
Ob Dabbasaa dedicated his life to ensuring that the Oromo would cross that river on their own strength. He took the abstract knowledge of the elders—the norms, the laws, the spiritual ties—and translated it into a curriculum for the youth. He educated and blessed countless students, sowing seeds of self-awareness across the land.
He understood that identity is not inherited automatically; it must be taught, discussed, and practiced. A person must learn who they are, and having learned, they must teach others. It is a duty, an unbroken chain. For as long as he was free, Ob Dabbasaa held that chain steady.
The Day the Chain Broke
On that fateful day in Fulbaana, the chain broke.
While traveling in Nairobi, Ob Dabbasaa Guyyoo vanished. The circumstances remain shrouded in the same ambiguity that haunts so many disappearances across the region. His family suspects the hand of the state, alleging that the authorities know his whereabouts. They live in the cruel limbo of enforced disappearance, clinging to hope while bracing for grief.
He was a man who had already known displacement. In the 1970s, as a refugee fleeing political turmoil in Ethiopia, he had crossed into Kenya, settling in the Machakos and Mlolongo areas with his family. He built a life there, far from his ancestral lands, yet he carried his homeland in his mind and heart. He was already a survivor of one kind of exile; now he has become a victim of another.
Why His Story Matters Now
In an age of information overload, where attention is fleeting, the story of Ob Dabbasaa Guyyoo might seem like a relic of a specific ethnic struggle. But it is not.
His story is a universal lesson about the power of cultural custodians. Every community, from the highlands of Oromia to the islands of the Pacific, relies on individuals who bridge the gap between the ancestors and the youth. When those individuals are silenced, a vital frequency is lost.
The UN’s call for the protection of human rights must include the protection of indigenous knowledge. It is not just a matter of political justice; it is a matter of cultural survival. The Oromo people have a saying: “Jiraachuun seenaa qabaachuudha”—To exist is to have a history.
Today, the whereabouts of Ob Dabbasaa Guyyoo remain unknown. His voice is silent. But the wisdom he imparted lingers in the minds of his students, in the stories told at the Gadaa centers, and in the prayers of his family.
The hope is that his fate will not remain hidden forever. The hope is that the UN’s resolutions against forced disappearances will transform from ink on paper into living justice. And the hope is that the work he started—the work of cultural reclamation—will continue, louder and more determined than before.
Because as long as one Oromo remembers the lessons of the elders, the chain of knowledge is not entirely broken. It is merely waiting for the next voice to pick it up.
A Defining Moment: Oromo Scholars Worldwide Called to Shape the Future of Their Academic Legacy

By Dhabessa Wakjira
Global – A clarion call is echoing across continents, from the bustling streets of Minneapolis to the academic halls of Europe, from the research centers of Australia to the universities of East Africa. It is a call for unity, for intellectual firepower, and for the collective reclamation of a people’s narrative.
The Oromo Studies Association (OSA) – the premier academic institution dedicated to the rigorous study and preservation of Oromo history, culture, and identity – has entered a historic new phase. And it is extending an urgent invitation to Oromo intellectuals, professionals, creatives, and visionaries around the globe: Your moment has arrived.
In an exclusive appeal, the President of OSA has issued a stirring call to action, urging the global Oromo diaspora to lend their minds, their skills, and their ambition to what he describes as a “defining moment” for the Association and for the Oromo people at large.
Bridging Generations, Building a Legacy
At the heart of this appeal lies a profound understanding of time and tradition. The OSA, guided by the democratic and intergenerational principles of the ancient Gadaa system, has just completed its first Gadaa cycle – a remarkable milestone in its institutional journey. Now, as it steps into its second cycle, the Association stands at a crossroads of immense potential.
“This is not merely a transition on paper,” the President stated in his message. “It is a historic milestone. We are moving from one era of scholarship into another, and we must carry with us the wisdom of our elders while embracing the energy and innovation of our youth.”
The vision is clear: to create a seamless bridge between the giants who laid the foundation of Oromo studies and the rising generation of thinkers who will carry that torch forward. The goal is to ensure that Oromo scholarship is not only preserved but also reimagined for a rapidly changing world.
More Than Scholarship: A Mission of Correction and Justice
The work of the OSA, however, extends far beyond the quiet confines of academic journals. It is a mission deeply rooted in the lived realities of the Oromo people. For decades, Oromo history and identity have been subject to distortion, erasure, and misrepresentation. The OSA has positioned itself as the vanguard of evidence-based scholarship, a bulwark against the tides of misinformation.
“In a world where narratives are often weaponized, our commitment is to intellectual tenacity and factual rigor,” the President emphasized. “We are not just studying history; we are correcting it. We are using scholarship as a tool for truth, for justice, and for the affirmation of Oromo human rights.”
The invitation is therefore a call to arms – but an intellectual one. The OSA is seeking more than just members; it is seeking partners in the pursuit of truth. It is calling on Oromo lawyers, historians, data scientists, economists, artists, and engineers to bring their professional expertise to bear on the challenges facing their people.
A Global Network of Excellence
The OSA’s ambition is as vast as the diaspora itself. By inviting Oromo elites from every corner of the world to participate, the Association is striving to create a decentralized, powerful network of intellectual excellence. The goal is to ensure that Oromo scholarship is not confined to a single geography but is enriched by the diverse experiences of a global community.
The President’s message underscores the importance of collective strength: “Your participation will strengthen our collective voice, enrich our scholarship, and ensure that OSA continues to serve as a beacon of Oromo knowledge, culture, and academic excellence.”
Whether it is a tenured professor in a Western university, a young entrepreneur in Nairobi, or a community organizer in the Horn of Africa, the OSA is opening its doors to all who are committed to advancing Oromo studies and the well-being of the Oromo people.
An Invitation for the Future
As the Association embarks on this new chapter, the call is clear: the time for passive observation is over. The OSA is not merely an institution to be admired from afar; it is a living, breathing movement that requires the active participation of every Oromo who dreams of a future where their identity is celebrated, their history is honored, and their potential is unleashed.
“This is a defining moment,” the President reiterated. “We invite you not just to join, but to lead, to innovate, and to build. Together, we can shape the next chapter of Oromo scholarship and ensure that our legacy endures for generations to come.”
For the Oromo people scattered across the globe, the message resonates with profound urgency and hope. The work of building a people’s academic legacy is arduous, but the invitation stands: the table is set, the mission is clear, and the world is waiting.
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How to Get Involved:
The Oromo Studies Association welcomes scholars, professionals, and all individuals dedicated to Oromo scholarship and human rights. To learn more about membership, upcoming events, and contribution opportunities, visit the official OSA channels or reach out to your local chapter.
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This is a featured opinion piece based on the official communication from the Oromo Studies Association.
Oromo Literacy Day: Celebrating the Power of Stories Held in Oromia

By Maatii Sabaa
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Every year, Oromo Literacy Day is more than a date on a calendar—it’s a living tribute to the resilience of a people and their language. It celebrates Afaan Oromoo, a language that carries the weight of history, the songs of ancestors, and the dreams of a nation. But how did the Oromo people arrive at this moment, where their stories can finally be written, read, and shared with the world? The answer lies in a long and courageous journey toward literacy.
A Written History of Resistance and Revival
The story of Oromo literacy is one of relentless struggle. The Oromo people have long possessed a rich oral tradition, but for much of Ethiopia’s modern history, their language was marginalized. It was a household language—spoken, sung, and whispered—but rarely seen on paper . The first major push to change this came in the late 19th and early 20th centuries.
A pivotal figure was Onesimos Nasib, an Oromo freed from slavery who trained as a teacher in Sweden. Upon his return, he and his colleague Aster Ganno worked with an almost missionary zeal to promote literacy in Afaan Oromoo. Onesimos created the Oromo Reader, a book filled with stories that were “short and funny” and designed to be both accessible and engaging. His aim was not just religious instruction but to cultivate a love for reading itself . He would famously ask young people he met, “Can you read and write?” and persuade them of its immense value .
However, their work met fierce opposition from the imperial government. In the mid-1940s, the Haile Selassie regime placed a total ban on Oromo literature . The language was effectively erased from public life, becoming a symbol of defiance.
The Quest for the Perfect Script
The suppression only intensified the desire for a written Oromo. The question of how to write the language became a central point of debate. Early works, like those of Onesimos, used the Ge’ez alphabet. But many activists and intellectuals believed this script was inadequate for Oromo sounds, failing to represent vowel length and consonant gemination—features that change a word’s meaning .
In the 1960s, the movement for a new script gained momentum. At Addis Ababa University, Oromo students began printing the first newspaper in Afaan Oromoo, Kana Beektaa? (“Do you know this?”), in 1968. The paper was a bold act of cultural preservation, collecting “Oromo songs, proverbs, war and grievance chants, Oromo prophecies, nuptials, baby lullabies, and others” . This was more than journalism—it was a declaration of identity. The paper was short-lived, forced to cease publication in 1971 .
Simultaneously, Oromo students in Europe were rigorously debating the script question. In 1968, a study group led by figures like Haile Fidaa concluded that a modified Latin alphabet was the most practical and linguistically sound choice for Oromo . This decision was not just technical; it was a political act of resistance, rejecting a script associated with the establishment.
A New Dawn: The Adoption of Qubee
After years of struggle, the fall of the military Derg regime in 1991 brought a turning point. The new Ethiopian constitution granted greater autonomy to regional states. Oromo was finally made the official language of the Oromia Regional State .
The Latin-based alphabet, known as Qubee, was officially adopted for writing Oromo . This was a victory decades in the making. The script’s simplicity and adaptability to modern technology made it a practical choice for a language finally stepping into the digital age. As one study noted, Qubee “enabled the language to grow faster as the script can be learned easily” .
However, the adoption was not without controversy. For some, the Ethiopic script held deep cultural significance, and the switch to a Latin alphabet was seen as an emotional and political break . Yet for the majority, Qubee represented liberation.
The Stories That Endure
The adoption of Qubee unlocked a literary explosion. Oromo youth and intellectuals began producing “newspapers, magazines, novels, translations and plays that describe their nation and their state in Afaan Oromoo” . Stories once confined to memory were now printed, preserved, and shared.
The journey has also involved recovering alternative scripts. A fascinating chapter is the story of Sheek Bakrii Saphaloo, a scholar who created a unique indigenous Oromo script. He developed an abugida, a writing system where each base glyph has multiple vocalic components, making it distinct from both the Ge’ez and Latin alphabets . This script has been used for over 70 years and is now being considered for digital preservation and inclusion in Unicode, highlighting the deep connection between literacy and cultural identity .
Why Oromo Literacy Day Matters
Oromo Literacy Day is a celebration of this entire journey. It honors the tenacity of Onesimos Nasib, the courage of student activists, and the vision of scholars who fought to give their language a written form. It is a day to recognize that literacy is not just about reading and writing; it is about power, identity, and survival.
The stories held in Oromia are now written down for the world to see. This day celebrates their liberation and their enduring power.
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“The stories, with the exception of a couple of martyr stories, are short and funny, and the subjects vary in order to attract.” — Onesimos Nasib on the Oromo Reader
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Maatii Sabaa is a writer and advocate of the Oromo stories.




