Category Archives: Sirna Oromo
Melbourne Irreechaa Festival 2026: The Ultimate Guide to Celebrating Oromo Thanksgiving in Australia
By Dhabessa Wakjira
For the Oromo diaspora in Melbourne, Irreechaa is more than a festival. It is a sacred homecoming — a chance to gather by the water, give thanks to Waaqa, and pass the flame of Oromummaa to the next generation. In 2026, the Melbourne Oromo community will once again celebrate this ancient tradition on Australian soil, welcoming all who wish to share in its beauty, meaning, and joy.
This guide covers everything you need to know about the 2026 celebrations, from dates and locations to the rituals, etiquette, and cultural significance of Irreechaa in the diaspora.
What Is Irreechaa?
Irreechaa is the annual Oromo thanksgiving festival, celebrated at the banks of rivers and lakes across Oromia. It marks the end of the rainy season (Ganna) and the beginning of a new year of hope, renewal, and abundance. Rooted in Waaqeffannaa, the traditional Oromo belief in one God (Waaqa), the festival predates Christianity and Islam and has been passed down through generations for thousands of years.
Participants carry fresh green grass and yellow daisies (daraaraa keelloo) to the water’s edge, dip them into the water as an offering of gratitude, and sing ancient songs of praise and blessing. The festival is also a time of reconciliation — disputes are settled before participation, and communities come together in peace.
For the diaspora, Irreechaa is a vital cultural anchor. It connects Oromos in Australia to their homeland, their ancestors, and one another .
2026 Melbourne Irreechaa Events
The Melbourne Oromo community typically celebrates two major Irreechaa festivals each year: Irreechaa Arfaasaa (the spring celebration) and Irreechaa Malkaa (the main thanksgiving at the water’s edge).
Irreechaa Arfaasaa 2026
Date: Sunday, April 26, 2026
Location: Dandenong Mountain (Tulluu Dandenong), Melbourne
Time: Morning (exact time to be announced)
Organizers: Oromo Irreecha Association and Melbourne Oromo community
Irreechaa Arfaasaa marks the end of the dry season and the beginning of the rainy season. It is a spring celebration that follows traditional Oromo customs, beginning with the blessing of elders .
Irreechaa Malkaa 2026
Irreechaa Malkaa, the main thanksgiving festival, is typically celebrated in September or October, corresponding with the end of the rainy season in Ethiopia. Past Melbourne Irreechaa Malkaa celebrations have been held at locations such as Wilson Botanic Park in Berwick.
The 2026 date and location for Melbourne will be announced by community organizers as follows closer to the time.
Date: Sunday, September 27, 2026
Location: Wilson Botanic Park in Berwick, Melbourne
Time: 11:00am
Organizers: Oromo Irreecha Association and Melbourne Oromo community
What to Bring
Organizers have specified the following items for attendees :
| Item | Purpose |
|---|---|
| Water | For personal use and the ritual |
| Flowers | For the Irreechaa tradition (yellow daisies if available) |
| Fresh green grass | Symbol of life, fertility, and gratitude |
| A spirit of gratitude | The heart of Irreechaa |
Wear traditional Oromo clothing if you have it. The vibrant colors and styles are a beautiful expression of cultural pride and identity.
What to Expect: The Rituals and Traditions
Irreechaa follows a structured, reverent sequence of events. Here is what you can expect at a Melbourne celebration:
1. Blessing of Elders
The celebration begins with blessings and prayers led by community elders (Abbaa Gadaa, Hadhasiinqee, and respected community members). These blessings focus on peace, prosperity, and remembering those who sustained the tradition .
2. The Procession
Participants walk together toward the water (or the designated sacred area). In traditional Irreechaa, women walk in front of the elders — a practice rooted in the Siinqee institution that symbolizes women as sacred and as agents of peace.
3. Carrying Grass and Flowers
Attendees carry fresh green grass and yellow flowers to the water’s edge. The grass is a symbol of life, fertility, and the connection between the Oromo people and the earth .
4. Dipping and Sprinkling
Upon reaching the water, participants dip the grass and flowers into the water and sprinkle water on themselves and others as a blessing. This act symbolizes purification, renewal, and the washing away of the past year’s hardships .
5. Songs and Prayers
The air fills with the sounds of traditional Oromo songs (faaruu) — songs of gratitude, hope, and blessing. Women sing “Maariyoo… Maareyoo…” (“your mercy on us”), while men chant the Irreechaa songs alongside them. The communal singing is a powerful expression of unity and shared emotion .
6. Cultural Performances and Food
After the rituals, the celebration continues with traditional music, dances (such as the Siiqqee and Gumii dances), and communal meals featuring Oromo food. It is a time for storytelling, laughter, and strengthening community bonds .
Irreechaa Etiquette: How to Participate Respectfully
Irreechaa is a sacred festival, not merely a cultural event. If you are attending for the first time — whether you are Oromo or from another background — here are important guidelines to ensure your participation is respectful and meaningful:
Do:
- Wear traditional clothing if you have it. It is a sign of respect and pride.
- Follow the lead of elders and community organizers.
- Carry grass and flowers to the water as an offering.
- Sing along if you know the songs — or simply listen and absorb the moment.
- Respect the natural environment. Leave no waste behind. The Oromo value of caring for nature is central to Irreechaa.
- Be present with gratitude. Irreechaa is a time of thanksgiving, reconciliation, and peace.
Don’t:
- Don’t splash water indiscriminately. The water ritual has specific traditional meaning.
- Don’t preach or distribute religious materials of other faiths at the Malkaa (water site). Irreechaa is rooted in Waaqeffannaa, and the sacred space should be respected.
- Don’t make noise or ululate during the solemn moments of the ceremony before the water ritual is complete.
- Don’t block the path with vehicles. Irreechaa is a communal pilgrimage — walk with the community if you are able.
These guidelines are not restrictions on participation. They are invitations to engage more deeply, with the reverence that Irreechaa deserves.
Why Irreechaa Matters in the Diaspora
For Oromos in Melbourne, Irreechaa serves several vital functions:
Cultural preservation. It ensures that younger generations born or raised in Australia learn about their heritage, language, and traditions. The festival is a living classroom for Oromummaa .
Community cohesion. It brings together families and individuals scattered across Victoria, strengthening social bonds and creating a sense of belonging .
Connection to homeland. It bridges the physical distance between Australia and Oromia, allowing the diaspora to maintain a profound spiritual and cultural connection to their ancestral land .
Intercultural exchange. Melbourne Irreechaa events often welcome local government officials, multicultural organizations, and curious residents, fostering mutual respect and understanding between communities.
The Spiritual Meaning of Irreechaa
At its heart, Irreechaa is an act of thanksgiving to Waaqa for the blessings of the past year and a prayer for peace and abundance in the year to come. It is a time of reconciliation — when those in conflict bury the hatchet and communities heal.
The festival is also a celebration of the Gadaa system, which upholds national unity, reconciliation, and solidarity. Irreechaa is one of the mammoth outdoor cultural festivals that showcase Ethiopia’s wealth of cultural heritage .
As one community message beautifully expressed:
“Irreecha is not a memory. It is a living prayer. And you are the ones who keep it alive.”
Practical Information
Getting There: Dandenong Mountain and other past venues are accessible by public transport and car. Check with organizers for specific directions and parking information.
Weather: Melbourne weather is unpredictable. Dress in layers and bring sun protection. April can be cool and changeable.
Accessibility: Contact organizers in advance if you have accessibility needs.
Staying Updated: Follow Advocacy for Oromia and local Oromo community associations on social media for the latest announcements about Irreechaa Malkaa 2026 and any changes to Irreechaa Arfaasaa details.
Baga Irreechaa Nagaan Geessan!
Whether you are Oromo, a friend of the Oromo community, or simply someone who wishes to witness a beautiful and meaningful cultural tradition, you are welcome at Melbourne Irreechaa 2026.
Come with an open heart. Come with gratitude. Come ready to sing, to celebrate, and to honor a tradition that has survived centuries of suppression and continues to thrive in every corner of the world where Oromo people gather.
Irreechaa keessan haa fudhatamu. May your thanksgiving be accepted. 🌿💚
Source information: Advocacy for Oromia, Oromia Communication Bureau, and the Melbourne Oromo community
“Welcome Home”: Artist Daawwitee Mokonnon Returns to Ethiopia After 27 Years, Received with Celebration in Bole
By Dhabessa Wakjira
ADDIS ABABA — After 27 long years away from home, renowned Oromo artist Daawwitee Mokonnon has returned to Ethiopia. The beloved singer and cultural figure was welcomed with a warm and celebratory reception in Bole, marking an emotional homecoming that has touched the hearts of many Oromos at home and abroad.
“Baga nagaan gara biyya abbaaketti galte!” — “Welcome back to your fatherland!” — read the message shared by the Oromia Communication Bureau, capturing the joy and relief that accompanied him return.
A Long Journey Home
Twenty-seven years is a lifetime. For Daawwitee Mokonnon, those years were spent in exile — far from the land, the people, and the culture that shaped him art and his identity. His music, however, never left. Throughout him time abroad, his voice remained a powerful thread connecting the Oromo diaspora to their homeland, a source of comfort, pride, and remembrance for millions.
Now, that thread has come full circle. His return is not merely a personal milestone; it is a symbolic moment for the Oromo people — a reminder that distance, however long, cannot sever the bond between an artist and his nation.
A Reception Fit for a Cultural Icon
The reception in Bole was filled with the warmth and reverence befitting an artist of his stature. Community members, fellow artists, and admirers gathered to welcome him back, celebrating not only his return but also the decades of cultural contribution he has made from afar.
Daawwitee Mokonnon is more than a singer. He is a keeper of Oromo musical heritage, a voice that has carried the stories, struggles, and aspirations of her people across borders and generations. His songs have been sung at Irreechaa gatherings, at family celebrations, and in quiet moments of longing for home. For many in the diaspora, his music was a piece of Oromia they could carry with them.
A Symbol of Hope and Reconnection
His return after 27 years carries profound meaning. It speaks to the resilience of the Oromo people and the enduring pull of the homeland. It is a reminder that exile, however painful, does not have to be permanent — and that the cultural treasures preserved abroad can, and do, find their way back home.
For younger Oromos who grew up hearing his name but never seeing him in person, his return is an opportunity to connect with a living legend. For elders who remember his performances from decades past, it is a joyful reunion. For the diaspora, it is a sign that the distance between home and abroad is not insurmountable.
A Homecoming That Belongs to All
While the reception was held in Bole, the significance of Daawwitee Mokonnon’s return extends far beyond one city or one gathering. It belongs to every Oromo who has ever longed for home, every family separated by circumstance, and every artist who has carried their culture with them into unfamiliar lands.
His journey back is a testament to the power of perseverance and the unbreakable connection between an artist and his people.
Baga nagaan gara biyya abbaaketti galte, Daawwitee! 🥰
Welcome home.
Source: Oromia Communication Bureau
How to celebrate Irreechaa in Australia?
Celebrating Irreechaa in Australia means participating in a vibrant, adapted version of the traditional Oromo thanksgiving festival. While the core spiritual intent remains the same—giving thanks to Waaqa (God) for blessings and renewal—the setting and specific activities are tailored to the Australian environment and the needs of the diaspora community.
The celebrations are primarily organized by community associations and the non-profit Irrecha Australia, with major events held in cities like Melbourne.
📍 Where and When to Celebrate in Australia
The location is chosen to reflect the traditional importance of nature and water in Irreechaa. In Australia, this often means gathering at parks with lakes, rivers, or scenic natural settings.
- Common Locations: In Melbourne, past celebrations have been held at Wilson Botanic Park in Berwick, Dandenong Mountain (Tulluu Dandenong), and Footscray Park.
- Timing: The festival is typically celebrated in September or October for Irreechaa Malkaa (the main thanksgiving at the water’s edge), and sometimes in April for Irreechaa Arfaasaa (a spring celebration).
🌿 How to Participate: Key Activities and Rituals
Participating in Irreechaa in Australia involves engaging in both traditional rituals and communal cultural activities.
- Wear Traditional Attire: Attendees are strongly encouraged to wear traditional Oromo clothing. The vibrant colors and styles are a visual statement of cultural pride and identity, especially for younger generations.
- Join the Blessing and Prayer: The event typically begins with blessings and prayers led by community elders. These blessings focus on peace, prosperity, and remembering those who sustained the tradition.
- Participate in Symbolic Rituals: Follow the tradition of carrying and dipping fresh green grass and yellow flowers into water (if available at the venue) as a symbol of gratitude, purification, and renewal.
- Enjoy Cultural Performances and Food: The celebration features traditional Oromo music, songs, and dances (such as the Siiqqee and Gumii dances). It is also a time to share communal meals with traditional Oromo food.
- Connect with Community: Irreechaa in Australia is a vital social event. It is a time for the diaspora to unite, strengthen bonds, and for younger generations to learn about their heritage from elders.
🤝 A Note on Inclusivity
While Irreechaa has deep spiritual roots in Waaqeffannaa (the traditional Oromo faith), the celebrations in Australia are also cultural festivals that welcome everyone. Organizers often invite local government officials, multicultural organizations, and curious residents to foster mutual respect and intercultural exchange. As one attendee noted, it is a unifying cultural practice that transcends religious boundaries.
💡 Practical Tips for Attendees
- Check for Event Details: Look for announcements from Irrecha Australia or local Oromo community associations on social media for the exact date, time, and location of the next event in your city.
- Respect the Environment: Organizers emphasize the importance of respecting the natural surroundings and leaving no waste behind, reflecting the core Oromo value of caring for nature.
- Bring What’s Needed: Some event notices suggest bringing water, flowers (for the ritual), and a spirit of gratitude.
In essence, celebrating Irreechaa in Australia is about actively participating in a living tradition that adapts to a new home while staying true to its core values of gratitude, community, and cultural pride.
Peace Celebrations Behind the Storm: The “Festival Politics” of Oromia and Tigray
FINFINNE — When the Oromo thanksgiving festival Irreecha and the Ethiopian Orthodox Meskel festival arrive in the capital and surrounding areas within two weeks of each other, the official messaging is strikingly uniform: everything is for peace.
Mardasa, Director of the Oromia Bureau of Administration and Security and Peace Commissioner, stated that security agencies have made full preparations to celebrate both festivals “in a peaceful manner and under the traditions of unity and coexistence.” The federal police have also pledged to deploy adequate forces at Hora Finfinne, Hora Harsadi, and other locations.
Yet behind this placid official statement, Ethiopia in 2026 faces its most severe security situation since the end of the Tigray war in 2022. For a country mired in multi-front conflicts, the “security preparations” for two festivals are far from routine.
Surface Calm and Deep Fear
Irreecha is the single most important thanksgiving celebration for the Oromo people, marking the end of the rainy season and the beginning of the harvest. This year’s Irreecha will be held on Meskerem 23 and 24 in the Ethiopian calendar (October 3 and 4 in the Gregorian calendar) at Hora Finfinne in Addis Ababa and Hora Harsadi in Bishoftu. Masqala took place two weeks earlier in mid-September, with the Demera bonfire ceremony at Meskel Square in the capital drawing large crowds.
Official statements emphasize “coordinated cooperation between security agencies and religious leaders, Gadaa elders, Siinqee women’s representatives, and youth,” and call on the public to “immediately report any suspicious circumstances to the nearest security agency.” This phrasing itself reveals tension.
The concern is not unfounded. During the 2016 Irreecha celebration in Bishoftu, clashes between police and protesters triggered a stampede that killed at least 52 people, becoming a turning point for large-scale anti-government protests in Oromia. At that time, protesters raised crossed wrists—a gesture that later became a symbol of resistance—and advanced toward the stage. Police responded with tear gas and rubber bullets, and people fell into deep ditches as they fled.
A decade later, the political fractures in that land are far from healed.
“Peace” Under Siege
Peace Commissioner Mardasa’s statement was issued at an extremely delicate moment. Just days earlier, seven armed groups announced an alliance aimed at “overthrowing” Prime Minister Abiy’s federal government. Alliance members include the Tigray People’s Liberation Front (TPLF), the Amhara Fano militia, and the Oromo Liberation Army (OLA)—organizations whose historical enmity runs so deep that their union itself is a signal.
The federal government now faces armed insurgencies on three fronts simultaneously: Tigray, Amhara, and Oromia. Against this backdrop, the large gatherings for Irreecha and Masqala are both a security challenge and a political litmus test: can the government maintain effective control over the capital and surrounding areas in a wartime posture?
The U.S. State Department’s travel advisory lists large parts of Oromia at “Do Not Travel” level, citing “risks of armed conflict, kidnapping, and unrest.” Finland’s Ministry of Foreign Affairs warns that Ethiopia’s “political and ethnic tensions have led to an unstable situation, and unrest may further intensify.” A clear temperature gap exists between these international assessments and the official “everything is ready” posture.
The Dual Function of Festivals
Irreecha has never been merely a religious festival. In the Oromo Gadaa tradition, it is the transition from the “dark season” to the “light season,” a moment for the community to collectively wash away the misfortunes of the past year and pray for a bountiful year ahead. But in contemporary Ethiopia, it is also the largest-scale staging ground for Oromo identity politics.
Similarly, Masqala has a unique cultural embedding in the Oromia region. Academic research documents that during Masqala, Oromo communities perform Garmaama singing, which carries the collective emotional expression of “joy, sorrow, love, and longing,” a cultural ritual of “transition from the old era to the new.”
When these festivals are framed by officials under the banner of “peace and unity,” a sharp question emerges: who defines “peace”? Is it community reconciliation in the Gadaa elders’ tradition, or order and stability under federal government rule?
Peace Commissioner Mardasa’s statement repeatedly emphasizes coordination between “security agencies” and “community leaders,” but the real question may be: when community leaders themselves become a party to political contestation, are festival celebrations an opportunity for unity or a fuse for conflict?
The Risk of Silence
Addis Ababa police say they have made “coordinated preparations” for the Demera ceremony at Meskel Square, but as of press time, authorities have not published any specific traffic control plans, crowd management measures, or security deployment details for any single day. The Oromo Abbaa Gadaa Council frames this year’s Irreecha as an expression of “national consensus,” but in Ethiopia’s current context, that phrase reads more like a prayer than a description.
For the millions about to travel to Hora Finfinne and Hora Harsadi, the reality they face is: a government fighting on multiple fronts simultaneously, an armed opposition that has just formed an anti-government alliance, and a traumatic memory that cost 52 lives a decade ago.
The Peace Commissioner’s statement ends with a blessing: “May you return safely in this harvest season.” In this harvest season, the weight of those words is heavier than ever.
The Psychological Power of Ritual Sound, Fresh Grass, and Water in Irreechaa
Oromia, Ethiopia — Irreechaa is the annual Oromo thanksgiving festival celebrated at the banks of rivers and lakes across Oromia. Its rituals — communal chanting, the dipping of fresh green grass into water, and the gathering of communities at the water’s edge — are not merely symbolic acts of cultural identity. A growing body of scientific research reveals that these elements engage powerful psychophysiological mechanisms that promote mental well-being, reduce stress, and foster social connection.
The Sound of Chanting: Reducing Stress and Anxiety
Chanting, a central practice in Irreechaa’s riverside ceremonies, has been shown to produce measurable reductions in stress and anxiety. A randomized controlled trial conducted in Australia found that just twelve minutes of group chanting — whether vocal or silent — resulted in significant decreases in cortisol levels and self-reported anxiety . The reduction in cortisol, the body’s primary stress hormone, was similar for both vocal and silent chanting. However, self-reported anxiety decreased more following vocal chanting, suggesting that the act of voicing — singing the Marewoo songs of Irreechaa — amplifies the psychological benefit .
The study also found that altruism scores increased following both vocal and silent chanting, indicating that the ritual practice fosters pro-social tendencies . Group synchronisation, a feature of communal chanting, is thought to promote cooperation and feelings of connection to others . This aligns with the experience of Irreechaa participants, who sing together in a shared expression of gratitude and hope.
Research specifically examining Irreechaa notes that “chanting reduces stress hormones and triggers dopamine, promoting transcendence” . The sonic dimensions of the ritual, combined with its setting at the water’s edge, create what researchers describe as an immersive environment that unites communities and reinforces cultural identity .
The Touch of Fresh Grass: Tactile Contact and Relaxation
The fresh green grass carried by Irreechaa participants — dipped into the water as an offering and symbol of renewal — also carries documented psychological benefits when touched. A 2024 study published in the Journal of Urban Health investigated the effects of tactile interaction with real grass versus artificial grass among older adults. The findings showed that touching real grass produced a heightened sense of relaxation and calmness, increased mean systolic blood pressure reduction, and upward trends in brainwave patterns associated with relaxation .
A separate study involving young adults found that five minutes of tactile stimulation with real landscape grass, applied through the palm of the hand, produced significant reductions in diastolic blood pressure, increased alpha brainwave activity (a marker of relaxed alertness), and alleviation of anxiety compared to a control condition . The researchers concluded that “palming grass — the act of touching grass with one’s hand — has a calming effect on both physiological and psychological responses to stress” .
For Irreechaa participants, the act of holding grass and dipping it into the water is thus not only a spiritual gesture but a tactile experience with measurable calming effects on the nervous system.
The Presence of Water: Blue Space and Restoration
Irreechaa’s setting at rivers and lakes — Irreechaa Malkaa — places participants in what researchers call “blue spaces,” environments featuring water. A systematic evidence map of blue space research confirms that contact with water environments is associated with mental health benefits, including reduced stress and enhanced well-being .
A landmark 19-country study involving over 17,000 participants found that all blue space settings were recalled as restorative, with rural rivers and canals among the most restorative . Perceived safety was the quality most strongly associated with restoration, and actively engaging with the water was associated with greater restoration than remaining on land . The study also found a reciprocal relationship between restoration and nature connectedness — the more restored an individual felt, the more connected to nature they became, and vice versa .
Research specifically examining Irreechaa notes that “water’s acoustic properties (transmitting sound four times faster than air) create immersive ritual environments,” and that the natural water setting “engages biophilia, enhancing mental well-being” . The riverside location of Irreechaa thus amplifies both the sonic and the restorative dimensions of the festival.
The Synergy of Sound, Grass, and Water
What makes Irreechaa psychologically powerful is not any single element in isolation, but their combination. The ritual brings together vocal chanting, tactile contact with fresh grass, and immersion in a water environment — a multisensory experience that engages multiple pathways to well-being simultaneously.
Research on Irreechaa explicitly describes this synergy: “water’s fluidity and reflectivity, paired with the resonance of sound, create multisensory rituals that deepen spiritual engagement” . The study notes that “psychologically, chanting and singing reduce stress and trigger dopamine release, fostering emotional uplift and communal bonding,” while “natural water settings engage biophilia, enhancing mental well-being and aligning with the spiritual clarity sought in rituals” .
The communal dimension is equally important. Group chanting, being a synchronous activity, promotes feelings of social connection and altruistic tendencies . For a community gathering after the isolating rainy season, this reconnection — through shared sound, shared touch of grass, and shared presence at the water — serves as a collective psychological renewal.
A Culturally Rooted Pathway to Well-Being
For the Oromo people, Irreechaa is a spiritual and cultural celebration. The scientific evidence now confirms what generations have experienced intuitively: the ritual’s elements — sound, grass, and water — are also powerful tools for mental health. In a context where formal mental health services are scarce, Irreechaa offers an accessible, culturally meaningful pathway to stress relief, emotional restoration, and social connection.
The psychological power of Irreechaa lies in its integration of body, mind, and community — a holistic approach to well-being that modern research is only beginning to fully understand.
Gadaa: The Living System That Raises Generations Through Word and Deed
West Shawa, Oromia — In a world where ancient traditions often fade beneath the weight of modernity, the Gadaa system of the Oromo people stands as a testament to endurance, democracy, and cultural resilience. As the Oromo saying goes: “Gadaan sirna ittiin jechaa fi gochaan dhaloota guddisanii dha” — Gadaa is the system through which generations are raised by word and by deed. And today, that system has emerged from the threat of extinction and reached the present generation, unbroken and vibrant.
Sons of Liiban Maccaa Carry the Torch
The sons of Liiban Maccaa — Walisoo, Amayyaa, and Kuttaayee — are actively fulfilling their duties within Gadaa Birmajii, ensuring that the ancient Oromo Gadaa system is passed down from generation to generation, unbroken and undiminished. Their commitment is not merely ceremonial; it is a living covenant with their ancestors and their descendants.
These communities, located across Central Oromia, West Shawa, and Southwest Shawa, have preserved the Gadaa system without interruption. From father to son, from elder to youth, the sacred knowledge and responsibilities of Gadaa are transmitted with reverence and precision.
A Model of Democracy Without Conflict
“Gadaan Mallattoo Dimokiraasii Morkii tokko malee Aangoo Waliif dabarsanii kennanidha” — Gadaa is the symbol of democracy, a system in which power is transferred peacefully, without conflict or bloodshed.
This principle lies at the heart of the Gadaa system. Every eight years, leadership transitions from one Gadaa grade to the next — a process rooted in consensus, ritual, and mutual respect. There are no coups, no violence, no contested successions. There is only the orderly, sacred transfer of responsibility from one generation to the next.
It is a democratic tradition that predates many modern political systems, and it continues to function today, guided by the wisdom of elders and the participation of the community.
Preparation for the Transfer of Power
The Sirna Oofkaltii Tumaa Gadaa Birmajii is currently in full preparation across various locations in the West Shawa Zone. Over the coming eight years, those in the Birmajii grade will prepare to receive authority from the Gadaa Roobalee — the outgoing grade — and assume the responsibilities of leadership.
The purpose of this program is clear: “Kaayyoon Sirna Sagantaa Kanaas Gadaan Birmajii Gadaa Roobalee irraa Aangoo fudhachuun Waggoottan 8 itti Aanu Bulchuuf ofkaltii keessa darbaa jiraachuu ibsameera.” The Birmajii Gadaa is preparing to take power from the Roobalee Gadaa and to govern for the next eight years. This preparation is not merely administrative — it is spiritual, cultural, and communal.
The Journey to the River
The process has now reached a significant milestone. “Imalli gara malkaa deemuun tumaa ittiin bulmaata waggoota 8 dhufanii adeemsifameera.” The delegation has journeyed to the river, where the laws and rituals that will govern the next eight years have been formally enacted.
The journey to the water — the malkaa — is rich with symbolism. Water represents purification, renewal, and the continuity of life. By enacting the laws at the river’s edge, the community affirms that the Gadaa system is rooted in nature itself, in the eternal rhythms of the earth and the heavens.
A Blessing of Abundance
The message concludes with a powerful blessing: “Gadaan Quufaa Gabbina Oofkalchi Waaq.” May Gadaa bring fullness, abundance, and prosperity. May Waaqa bless the work of those who uphold this sacred tradition.
It is a prayer not only for material prosperity but for spiritual completeness — for a community that is whole, united, and at peace with itself and its Creator.
A Heritage That Endures
The Gadaa system is more than a cultural relic. It is a living, breathing institution that continues to shape the lives of millions of Oromo people. It teaches democracy, accountability, environmental stewardship, and respect for elders. It binds generations together in a chain of duty and blessing.
The sons of Liiban Maccaa — Walisoo, Amayyaa, and Kuttaayee — are not merely preserving the past. They are building the future, one ritual at a time, one generation at a time.
Baga oofkaltan!
Source: Community Report
Gadaa Elders Announce Dates for Irreechaa 2019: A Call for Unity, Gratitude, and Peace
Finfinnee, Oromia — The Assembly of Gadaa Elders of Oromia has officially announced the dates for the celebration of Irreechaa, one of the most sacred and widely observed festivals of the Oromo people. In a statement released to the public, the elders confirmed that Irreechaa at Hora Finfinnee will be celebrated on September 23, while Irreechaa at Hora Harsadee will take place on September 24, 2019.
Irreechaa is a centuries-old thanksgiving festival celebrated at the banks of rivers and lakes, most notably at Hora Finfinnee (Lake Finfinnee) and Hora Harsadee (Lake Harsadee). It marks the end of the rainy season and the beginning of a new year in the Oromo calendar — a time of renewal, reflection, and communal gratitude to Waaqa (God) for blessings received.
A Festival of Thanksgiving and Hope
In their statement, the Gadaa elders emphasized the profound meaning of Irreechaa, describing it as a celebration of thanksgiving, hope, unity, love, reconciliation, and renewal. “Irreechaa is a festival of gratitude, hope, unity, love, reconciliation, and rebirth,” the elders declared. “Therefore, all Oromo people, as well as all nations, nationalities, and peoples of our country and the entire world, are invited to honor Irreechaa together with the Oromo people.”
The invitation extends beyond the Oromo nation itself, reflecting the festival’s universal message of peace and togetherness. Irreechaa has long served as a gathering point for people of all backgrounds — a day when differences are set aside and communities join hands in celebration and prayer.
A Call to Preserve Tradition
The elders also stressed the importance of observing Irreechaa according to its longstanding customs, traditions, and sacred norms (safuu). “Irreechaa at Hora Finfinnee and Hora Harsadee will be celebrated on September 23 and 24, 2019, respectively,” the statement read. “Like other Irreechaa celebrations, it will be observed in accordance with the culture, tradition, and sacred order of Irreechaa.”
The Gadaa system, a traditional democratic governance structure of the Oromo people recognized by UNESCO as intangible cultural heritage, plays a central role in organizing and preserving the festival’s rituals. The elders’ announcement underscores their continued role as custodians of Oromo culture and tradition.
A Warm Invitation to All
In closing, the Assembly of Gadaa Elders extended a heartfelt invitation to all Oromo people to welcome visitors with the warmth and hospitality for which the Oromo are known. “Therefore, we call upon all Oromo people to receive every guest who comes to them with the culture, tradition, and hospitality of our people,” the elders urged.
The message is clear: Irreechaa is not merely a festival — it is a living expression of Oromo identity, faith, and community. As the dates approach, anticipation is building across Oromia and beyond, with preparations underway at Hora Finfinnee and Hora Harsadee.
For the Oromo people, Irreechaa 2019 promises to be a time of collective renewal — a moment to give thanks, seek reconciliation, and reaffirm the bonds that unite them as one people.
Source: Assembly of Gadaa Elders of Oromia
Sons of Liiban Maccaa Carry the Gadaa Birmajii Torch: A Legacy Passed from Generation to Generation
Central Oromia— In the heartlands of Central Oromia, across the highlands of West Shawa and Southwest Shawa, a sacred flame continues to burn. The sons of Liiban Maccaa — Walisoo, Amayyaa and Kuttaayee — are actively fulfilling their duties within Gadaa Birmajii, ensuring that the ancient Oromo Gadaa system is passed down from generation to generation, unbroken and undiminished.
A System That Never Sleeps
The Gadaa system, recognized by UNESCO as an Intangible Cultural Heritage of Humanity, is the traditional democratic, social, and spiritual governance structure of the Oromo people. It organizes society into age sets and generational grades, each with distinct roles, responsibilities, and rights. Among these, the Birmajii grade represents a critical stage — a time when young men prepare for leadership, defend their community, and uphold the sacred norms of Oromo life.
What sets the sons of Liiban Maccaa apart is their unwavering dedication. In Central Oromia, West Shawa, and Southwest Shawa, these communities have preserved the Gadaa system without interruption, carrying it forward across generations with reverence and pride.
The Seven Who Hold the Jila
Among the three sons of Liiban, it is the seven from the Horii lineage of Kuttaayee who hold the Jila Gadaa — the sacred leadership and ritual responsibility of the grade. Their duty is profound and their journey demanding.
The Gadaa group of Roobalee sets out to receive Baallii (Alangee) — the symbolic transfer of power and responsibility that marks the transition into Birmajii. This transfer is not merely ceremonial; it is a covenant. It binds the incoming generation to the duties of leadership, protection, and service to the community.
Rain, Blessing, and Endurance
In the Oromo worldview, rain is a sign of blessing — a gift from Waaqa (God) that nourishes the land and its people. Yet even when the rains come, the Roobalee do not rest. They sing in the rain, and they do not allow the abundance of milk and prosperity to distract them from their sacred mission.
“The Roobalee sing along with the rain, and the abundance of milk and success has not made us forget our duty,” the report recounts. “Whether in good times or hard times, they have seen it through.”
The message is clear: Birmajii is not a fair-weather calling. It demands endurance, sacrifice, and faithfulness — in seasons of plenty and in seasons of want.
A Call of Honor and Blessing
The words of the community ring with pride and blessing:
“The Birmajii have taken the Alangee and are preparing to complete their covenant — today they have cut the buttaa. May the news of your deeds reach the ears of those who need to hear it. Congratulations on reaching the fourfold blessing of your fathers and the eightfold blessing of your grandfathers. You have accomplished what was asked of you — and you make us proud.”
The “fourfold blessing of the fathers” and the “eightfold blessing of the grandfathers” speak to the deep ancestral roots of the Gadaa system — a chain of blessing and responsibility that stretches back through time, linking each generation to those who came before.
The closing blessing, “Ginna milkii ciisaa” — a wish for peace, prosperity, and rest — crowns the message with the hope that the labor of the Birmajii will bring abundance and tranquility to the community.
A Living Heritage
The sons of Liiban Maccaa are not merely preserving a tradition — they are living it. Every ritual, every journey, every song in the rain is an act of cultural survival and spiritual renewal. In a world that often pressures communities to abandon their heritage, these young men stand firm, proving that the Gadaa system remains a vibrant and vital force.
Their story is a reminder that culture is not a museum piece. It is alive — carried in the feet that walk to receive the Alangee, in the voices that sing with the rain, and in the hearts of a generation determined to honor its ancestors.
Baga oofkaltan!
THE RAINS HAVE CEASED, THE FLOWERS BLOOM: CELEBRATING IRREECHAA, THE OROMO THANKSGIVING
By Dhabessa Wakjira
In the highlands of Ethiopia, where the skies weep for months on end and the earth turns to mud, there comes a sacred morning when the clouds finally part. The sun, a golden orb of promise, kisses the damp grass, and a new season is born. This is the moment of Birraa—the spring—and for the Oromo people, it is a time to pause, breathe, and pour out their hearts in gratitude.
This is the spirit of Irreechaa, a festival that transcends mere celebration. It is the Oromo Thanksgiving, a profound spiritual and cultural touchstone that marks the end of the punishing rainy season and the beginning of a season of renewal, peace, and hope.
Held annually at the end of September or the beginning of October, Irreechaa is not a quiet affair of private reflection. It is a magnificent, vibrant explosion of life. Thousands, dressed in dazzling traditional attire, converge on sacred rivers, lakes, and hilltops. The air hums with the rhythm of drums, the melodic chants of elders, and the joyous ululations of the crowd. In their hands, they hold the symbols of the season: lush green grass and delicate yellow daisies, emblems of fertility, flourishing life, and the promise of a bountiful year.
The Heart of the Festival: Giving Thanks to Waaqa
At its core, Irreechaa is a dialogue with the divine. The Oromo people lift their prayers to Waaqa (God), offering thanks not for material wealth alone, but for the bedrock of their existence: a good harvest that fills the granaries, the health of their precious livestock, and the most precious gift of all—peace. It is a recognition that survival through the harsh, dark months was not by human effort alone, but by divine mercy.
“We come to the water to wash away our sorrows and our grudges,” explains an elder during a recent ceremony at Lake Hora Arsadi, near Addis Ababa. “The rain has stopped. Now, we cleanse our hearts and start anew.”
A Living Testament to the Gadaa System
Irreechaa is more than a religious observance; it is the vibrant pulse of the Gadaa System, the ancient, indigenous democratic governance structure of the Oromo people. Inscribed by UNESCO as an Intangible Cultural Heritage of Humanity, the Gadaa System organizes society into generations, guiding leadership, law, and morality. Irreechaa serves as a unifying moment for this system, reinforcing the social contracts and spiritual values that hold the community together.
Reconciliation and Unity
In a world often fractured by division, Irreechaa stands as a powerful advocate for unity. The festival is a designated time for reconciliation. It is a communal balm where feuds are set aside, misunderstandings are forgiven, and the bonds of kinship are strengthened. The shared experience of prayer and dance melts away social barriers, weaving a tapestry of harmony that includes not just the Oromo, but neighboring communities as well.
A Cultural Showcase
To witness Irreechaa is to witness the soul of Oromo culture. The hills become a runway of breathtaking fashion, with men and women adorned in intricately woven garments and vibrant beadwork. The music is hypnotic, with traditional songs that speak of heroism, love, and history. The dances are energetic, a physical manifestation of joy and liberation.
As the sun sets on the celebration, the green grass is often placed upon the heads of participants as a blessing, a final act of connection to the earth and the creator. The festival concludes, but its spirit lingers—a reminder that every ending is a new beginning, and that gratitude is the foundation upon which communities are built.
Irreechaa is not just a festival. It is a declaration: We have survived. We are thankful. We are one.
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Key Aspects of Irreechaa at a Glance:
· Thanksgiving: Central purpose is to thank Waaqa (God) for blessings over the past year.
· End of Winter: Celebrates the conclusion of the rainy season and the dawn of spring (Birraa).
· Sacred Sites: Observed at rivers (Malkaa), lakes, and hilltops (Tulu).
· Symbols of Life: Participants carry wet grass and daisy flowers to represent fertility and flourishing.
· Cultural Expression: A vibrant display of traditional costumes, music, chants, and dances.
· Unity & Peace: A time for community bonding, spiritual reflection, and reconciliation.
· Gadaa System: An integral ritual within the traditional Oromo governance and social structure.
Oromo Literacy Day: Celebrating the Power of Stories Held in Oromia
By Maatii Sabaa
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Every year, Oromo Literacy Day is more than a date on a calendar—it’s a living tribute to the resilience of a people and their language. It celebrates Afaan Oromoo, a language that carries the weight of history, the songs of ancestors, and the dreams of a nation. But how did the Oromo people arrive at this moment, where their stories can finally be written, read, and shared with the world? The answer lies in a long and courageous journey toward literacy.
A Written History of Resistance and Revival
The story of Oromo literacy is one of relentless struggle. The Oromo people have long possessed a rich oral tradition, but for much of Ethiopia’s modern history, their language was marginalized. It was a household language—spoken, sung, and whispered—but rarely seen on paper . The first major push to change this came in the late 19th and early 20th centuries.
A pivotal figure was Onesimos Nasib, an Oromo freed from slavery who trained as a teacher in Sweden. Upon his return, he and his colleague Aster Ganno worked with an almost missionary zeal to promote literacy in Afaan Oromoo. Onesimos created the Oromo Reader, a book filled with stories that were “short and funny” and designed to be both accessible and engaging. His aim was not just religious instruction but to cultivate a love for reading itself . He would famously ask young people he met, “Can you read and write?” and persuade them of its immense value .
However, their work met fierce opposition from the imperial government. In the mid-1940s, the Haile Selassie regime placed a total ban on Oromo literature . The language was effectively erased from public life, becoming a symbol of defiance.
The Quest for the Perfect Script
The suppression only intensified the desire for a written Oromo. The question of how to write the language became a central point of debate. Early works, like those of Onesimos, used the Ge’ez alphabet. But many activists and intellectuals believed this script was inadequate for Oromo sounds, failing to represent vowel length and consonant gemination—features that change a word’s meaning .
In the 1960s, the movement for a new script gained momentum. At Addis Ababa University, Oromo students began printing the first newspaper in Afaan Oromoo, Kana Beektaa? (“Do you know this?”), in 1968. The paper was a bold act of cultural preservation, collecting “Oromo songs, proverbs, war and grievance chants, Oromo prophecies, nuptials, baby lullabies, and others” . This was more than journalism—it was a declaration of identity. The paper was short-lived, forced to cease publication in 1971 .
Simultaneously, Oromo students in Europe were rigorously debating the script question. In 1968, a study group led by figures like Haile Fidaa concluded that a modified Latin alphabet was the most practical and linguistically sound choice for Oromo . This decision was not just technical; it was a political act of resistance, rejecting a script associated with the establishment.
A New Dawn: The Adoption of Qubee
After years of struggle, the fall of the military Derg regime in 1991 brought a turning point. The new Ethiopian constitution granted greater autonomy to regional states. Oromo was finally made the official language of the Oromia Regional State .
The Latin-based alphabet, known as Qubee, was officially adopted for writing Oromo . This was a victory decades in the making. The script’s simplicity and adaptability to modern technology made it a practical choice for a language finally stepping into the digital age. As one study noted, Qubee “enabled the language to grow faster as the script can be learned easily” .
However, the adoption was not without controversy. For some, the Ethiopic script held deep cultural significance, and the switch to a Latin alphabet was seen as an emotional and political break . Yet for the majority, Qubee represented liberation.
The Stories That Endure
The adoption of Qubee unlocked a literary explosion. Oromo youth and intellectuals began producing “newspapers, magazines, novels, translations and plays that describe their nation and their state in Afaan Oromoo” . Stories once confined to memory were now printed, preserved, and shared.
The journey has also involved recovering alternative scripts. A fascinating chapter is the story of Sheek Bakrii Saphaloo, a scholar who created a unique indigenous Oromo script. He developed an abugida, a writing system where each base glyph has multiple vocalic components, making it distinct from both the Ge’ez and Latin alphabets . This script has been used for over 70 years and is now being considered for digital preservation and inclusion in Unicode, highlighting the deep connection between literacy and cultural identity .
Why Oromo Literacy Day Matters
Oromo Literacy Day is a celebration of this entire journey. It honors the tenacity of Onesimos Nasib, the courage of student activists, and the vision of scholars who fought to give their language a written form. It is a day to recognize that literacy is not just about reading and writing; it is about power, identity, and survival.
The stories held in Oromia are now written down for the world to see. This day celebrates their liberation and their enduring power.
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“The stories, with the exception of a couple of martyr stories, are short and funny, and the subjects vary in order to attract.” — Onesimos Nasib on the Oromo Reader
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Maatii Sabaa is a writer and advocate of the Oromo stories.
