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Melbourne Irreechaa Festival 2026: The Ultimate Guide to Celebrating Oromo Thanksgiving in Australia
By Dhabessa Wakjira
For the Oromo diaspora in Melbourne, Irreechaa is more than a festival. It is a sacred homecoming — a chance to gather by the water, give thanks to Waaqa, and pass the flame of Oromummaa to the next generation. In 2026, the Melbourne Oromo community will once again celebrate this ancient tradition on Australian soil, welcoming all who wish to share in its beauty, meaning, and joy.
This guide covers everything you need to know about the 2026 celebrations, from dates and locations to the rituals, etiquette, and cultural significance of Irreechaa in the diaspora.
What Is Irreechaa?
Irreechaa is the annual Oromo thanksgiving festival, celebrated at the banks of rivers and lakes across Oromia. It marks the end of the rainy season (Ganna) and the beginning of a new year of hope, renewal, and abundance. Rooted in Waaqeffannaa, the traditional Oromo belief in one God (Waaqa), the festival predates Christianity and Islam and has been passed down through generations for thousands of years.
Participants carry fresh green grass and yellow daisies (daraaraa keelloo) to the water’s edge, dip them into the water as an offering of gratitude, and sing ancient songs of praise and blessing. The festival is also a time of reconciliation — disputes are settled before participation, and communities come together in peace.
For the diaspora, Irreechaa is a vital cultural anchor. It connects Oromos in Australia to their homeland, their ancestors, and one another .
2026 Melbourne Irreechaa Events
The Melbourne Oromo community typically celebrates two major Irreechaa festivals each year: Irreechaa Arfaasaa (the spring celebration) and Irreechaa Malkaa (the main thanksgiving at the water’s edge).
Irreechaa Arfaasaa 2026
Date: Sunday, April 26, 2026
Location: Dandenong Mountain (Tulluu Dandenong), Melbourne
Time: Morning (exact time to be announced)
Organizers: Oromo Irreecha Association and Melbourne Oromo community
Irreechaa Arfaasaa marks the end of the dry season and the beginning of the rainy season. It is a spring celebration that follows traditional Oromo customs, beginning with the blessing of elders .
Irreechaa Malkaa 2026
Irreechaa Malkaa, the main thanksgiving festival, is typically celebrated in September or October, corresponding with the end of the rainy season in Ethiopia. Past Melbourne Irreechaa Malkaa celebrations have been held at locations such as Wilson Botanic Park in Berwick.
The 2026 date and location for Melbourne will be announced by community organizers as follows closer to the time.
Date: Sunday, September 27, 2026
Location: Wilson Botanic Park in Berwick, Melbourne
Time: 11:00am
Organizers: Oromo Irreecha Association and Melbourne Oromo community
What to Bring
Organizers have specified the following items for attendees :
| Item | Purpose |
|---|---|
| Water | For personal use and the ritual |
| Flowers | For the Irreechaa tradition (yellow daisies if available) |
| Fresh green grass | Symbol of life, fertility, and gratitude |
| A spirit of gratitude | The heart of Irreechaa |
Wear traditional Oromo clothing if you have it. The vibrant colors and styles are a beautiful expression of cultural pride and identity.
What to Expect: The Rituals and Traditions
Irreechaa follows a structured, reverent sequence of events. Here is what you can expect at a Melbourne celebration:
1. Blessing of Elders
The celebration begins with blessings and prayers led by community elders (Abbaa Gadaa, Hadhasiinqee, and respected community members). These blessings focus on peace, prosperity, and remembering those who sustained the tradition .
2. The Procession
Participants walk together toward the water (or the designated sacred area). In traditional Irreechaa, women walk in front of the elders — a practice rooted in the Siinqee institution that symbolizes women as sacred and as agents of peace.
3. Carrying Grass and Flowers
Attendees carry fresh green grass and yellow flowers to the water’s edge. The grass is a symbol of life, fertility, and the connection between the Oromo people and the earth .
4. Dipping and Sprinkling
Upon reaching the water, participants dip the grass and flowers into the water and sprinkle water on themselves and others as a blessing. This act symbolizes purification, renewal, and the washing away of the past year’s hardships .
5. Songs and Prayers
The air fills with the sounds of traditional Oromo songs (faaruu) — songs of gratitude, hope, and blessing. Women sing “Maariyoo… Maareyoo…” (“your mercy on us”), while men chant the Irreechaa songs alongside them. The communal singing is a powerful expression of unity and shared emotion .
6. Cultural Performances and Food
After the rituals, the celebration continues with traditional music, dances (such as the Siiqqee and Gumii dances), and communal meals featuring Oromo food. It is a time for storytelling, laughter, and strengthening community bonds .
Irreechaa Etiquette: How to Participate Respectfully
Irreechaa is a sacred festival, not merely a cultural event. If you are attending for the first time — whether you are Oromo or from another background — here are important guidelines to ensure your participation is respectful and meaningful:
Do:
- Wear traditional clothing if you have it. It is a sign of respect and pride.
- Follow the lead of elders and community organizers.
- Carry grass and flowers to the water as an offering.
- Sing along if you know the songs — or simply listen and absorb the moment.
- Respect the natural environment. Leave no waste behind. The Oromo value of caring for nature is central to Irreechaa.
- Be present with gratitude. Irreechaa is a time of thanksgiving, reconciliation, and peace.
Don’t:
- Don’t splash water indiscriminately. The water ritual has specific traditional meaning.
- Don’t preach or distribute religious materials of other faiths at the Malkaa (water site). Irreechaa is rooted in Waaqeffannaa, and the sacred space should be respected.
- Don’t make noise or ululate during the solemn moments of the ceremony before the water ritual is complete.
- Don’t block the path with vehicles. Irreechaa is a communal pilgrimage — walk with the community if you are able.
These guidelines are not restrictions on participation. They are invitations to engage more deeply, with the reverence that Irreechaa deserves.
Why Irreechaa Matters in the Diaspora
For Oromos in Melbourne, Irreechaa serves several vital functions:
Cultural preservation. It ensures that younger generations born or raised in Australia learn about their heritage, language, and traditions. The festival is a living classroom for Oromummaa .
Community cohesion. It brings together families and individuals scattered across Victoria, strengthening social bonds and creating a sense of belonging .
Connection to homeland. It bridges the physical distance between Australia and Oromia, allowing the diaspora to maintain a profound spiritual and cultural connection to their ancestral land .
Intercultural exchange. Melbourne Irreechaa events often welcome local government officials, multicultural organizations, and curious residents, fostering mutual respect and understanding between communities.
The Spiritual Meaning of Irreechaa
At its heart, Irreechaa is an act of thanksgiving to Waaqa for the blessings of the past year and a prayer for peace and abundance in the year to come. It is a time of reconciliation — when those in conflict bury the hatchet and communities heal.
The festival is also a celebration of the Gadaa system, which upholds national unity, reconciliation, and solidarity. Irreechaa is one of the mammoth outdoor cultural festivals that showcase Ethiopia’s wealth of cultural heritage .
As one community message beautifully expressed:
“Irreecha is not a memory. It is a living prayer. And you are the ones who keep it alive.”
Practical Information
Getting There: Dandenong Mountain and other past venues are accessible by public transport and car. Check with organizers for specific directions and parking information.
Weather: Melbourne weather is unpredictable. Dress in layers and bring sun protection. April can be cool and changeable.
Accessibility: Contact organizers in advance if you have accessibility needs.
Staying Updated: Follow Advocacy for Oromia and local Oromo community associations on social media for the latest announcements about Irreechaa Malkaa 2026 and any changes to Irreechaa Arfaasaa details.
Baga Irreechaa Nagaan Geessan!
Whether you are Oromo, a friend of the Oromo community, or simply someone who wishes to witness a beautiful and meaningful cultural tradition, you are welcome at Melbourne Irreechaa 2026.
Come with an open heart. Come with gratitude. Come ready to sing, to celebrate, and to honor a tradition that has survived centuries of suppression and continues to thrive in every corner of the world where Oromo people gather.
Irreechaa keessan haa fudhatamu. May your thanksgiving be accepted. 🌿💚
Source information: Advocacy for Oromia, Oromia Communication Bureau, and the Melbourne Oromo community
“Welcome Home”: Artist Daawwitee Mokonnon Returns to Ethiopia After 27 Years, Received with Celebration in Bole
By Dhabessa Wakjira
ADDIS ABABA — After 27 long years away from home, renowned Oromo artist Daawwitee Mokonnon has returned to Ethiopia. The beloved singer and cultural figure was welcomed with a warm and celebratory reception in Bole, marking an emotional homecoming that has touched the hearts of many Oromos at home and abroad.
“Baga nagaan gara biyya abbaaketti galte!” — “Welcome back to your fatherland!” — read the message shared by the Oromia Communication Bureau, capturing the joy and relief that accompanied him return.
A Long Journey Home
Twenty-seven years is a lifetime. For Daawwitee Mokonnon, those years were spent in exile — far from the land, the people, and the culture that shaped him art and his identity. His music, however, never left. Throughout him time abroad, his voice remained a powerful thread connecting the Oromo diaspora to their homeland, a source of comfort, pride, and remembrance for millions.
Now, that thread has come full circle. His return is not merely a personal milestone; it is a symbolic moment for the Oromo people — a reminder that distance, however long, cannot sever the bond between an artist and his nation.
A Reception Fit for a Cultural Icon
The reception in Bole was filled with the warmth and reverence befitting an artist of his stature. Community members, fellow artists, and admirers gathered to welcome him back, celebrating not only his return but also the decades of cultural contribution he has made from afar.
Daawwitee Mokonnon is more than a singer. He is a keeper of Oromo musical heritage, a voice that has carried the stories, struggles, and aspirations of her people across borders and generations. His songs have been sung at Irreechaa gatherings, at family celebrations, and in quiet moments of longing for home. For many in the diaspora, his music was a piece of Oromia they could carry with them.
A Symbol of Hope and Reconnection
His return after 27 years carries profound meaning. It speaks to the resilience of the Oromo people and the enduring pull of the homeland. It is a reminder that exile, however painful, does not have to be permanent — and that the cultural treasures preserved abroad can, and do, find their way back home.
For younger Oromos who grew up hearing his name but never seeing him in person, his return is an opportunity to connect with a living legend. For elders who remember his performances from decades past, it is a joyful reunion. For the diaspora, it is a sign that the distance between home and abroad is not insurmountable.
A Homecoming That Belongs to All
While the reception was held in Bole, the significance of Daawwitee Mokonnon’s return extends far beyond one city or one gathering. It belongs to every Oromo who has ever longed for home, every family separated by circumstance, and every artist who has carried their culture with them into unfamiliar lands.
His journey back is a testament to the power of perseverance and the unbreakable connection between an artist and his people.
Baga nagaan gara biyya abbaaketti galte, Daawwitee! 🥰
Welcome home.
Source: Oromia Communication Bureau
Preserving the Sacred: Why Irreechaa Needs Correction, Not Just Celebration
By Dhabessa Wakjira
Irreechaa is more than a festival. It is a sacred covenant between the Oromo people and Waaqa — a day of thanksgiving, reconciliation, and renewal that has survived centuries of suppression. But as the celebration grows in size and visibility, so too does the need to protect its spiritual integrity.
A recent community message, circulated among Oromo elders and youth, raises urgent concerns about practices that have crept into modern Irreechaa celebrations — practices that, while perhaps well-intentioned, risk distorting the festival’s deep cultural and spiritual meaning. The message is not an attack on the celebration. It is a call to return to the duudhaa — the sacred customs and traditions — that give Irreechaa its power.
The concerns can be grouped into four key areas that, according to the message, must be corrected.
1. The Time of Irreechaa Malkaa Must Not Be at Night
The first concern is about timing. According to Oromo tradition, Irreechaa Malkaa should not be performed at night. The Oromo people have their own natural sense of time, rooted in family life and community rhythms. A person rises, tends to their household, prepares coffee, and then proceeds to the water’s edge for Irreechaa — honoring the customs passed down through generations.
The tradition describes how participants should approach the water: carrying fresh grass and flowers, singing the sacred songs of Mareyoo, and moving with reverence. Elders sing “Araaroo yaa araari hoo / Ararsaa waaqatu jalaataa / Nuuf Ararami hoo” — calling for peace and blessing from Waaqa. The youth accompany the elders respectfully, and upon reaching the Malkaa, no one should make noise or ululate until the Irreechaa ceremony at the water is complete.
This is a call to restore the solemnity and order that should define the procession. Irreechaa is not a chaotic gathering; it is a structured, reverent spiritual journey.
2. The Water Ritual Must Follow Tradition
The second concern addresses how the water ritual is performed. According to the message, sprinkling water on oneself and others — or turning back before reaching the designated Irreechaa site — is not part of Oromo duudhaa. The practice of indiscriminately splashing water, the message warns, resembles a “cuubbaa” (baptismal) ritual rather than the traditional Oromo offering.
The Abbootii Gadaa (Gadaa leaders) are called upon to correct this. The water of Irreechaa is sacred — it is meant for purification and blessing in a specific, reverent manner, not for casual splashing. The distinction matters because Irreechaa is rooted in Waaqeffannaa, the traditional Oromo faith, and its rituals must remain true to that origin.
3. Vehicles Must Not Obstruct the Path to the Malkaa
The third concern is practical but deeply important: the overuse of vehicles on Irreechaa day is obstructing access to the Malkaa. While some vehicles are genuinely necessary — for security, emergency services, or for elderly and disabled participants — the message argues that too many cars are being used for entertainment and convenience, narrowing the roads and blocking the path for those who wish to walk.
The message specifically notes that artists and well-known figures should walk with the community rather than being driven, closing roads and causing hardship for ordinary participants. The image of last year’s Irreechaa, where celebrants struggled because roads were blocked by vehicles carrying notable figures, is still fresh in memory.
Irreechaa is a communal pilgrimage. Walking together — as one people, regardless of status — is part of what makes it sacred. Vehicles should be limited to genuine necessity, not convenience or display.
4. Respect for the Spiritual Boundaries of Irreechaa
The fourth concern is perhaps the most sensitive. The message observes that people of other faiths are attending Irreechaa and engaging in practices that contradict its spiritual purpose — including singing, preaching, and distributing religious materials at the Malkaa that promote beliefs other than Waaqeffannaa.
The message does not say that non-Waaqeffannaa participants are unwelcome. Irreechaa is a national and cultural celebration, and all Oromos are invited to share in it. But the Malkaa is a sacred space with its own spiritual rules. Those who come should respect the boundaries of the tradition they are joining. Proselytizing at the water’s edge — whatever the faith — is not part of Irreechaa and does not honor its purpose.
The message calls on those who engage in such practices to reflect on their actions, and on the Abbootii Gadaa to safeguard the spiritual integrity of the festival.
The Call to the Abbootii Gadaa
The message concludes with a direct appeal: the Abbootii Gadaa and community elders must take the lead in correcting these practices. Specifically, they are asked to address:
- Celebrations at 10 PM that should not be happening
- The sprinkling of water that departs from tradition
- The obstruction of roads by unnecessary vehicles
- The introduction of foreign religious practices at the Malkaa
These are not minor details. They are the difference between a festival that honors its ancestors and one that drifts into something unrecognizable.
Irreechaa Is Peace, Reconciliation, and Blessing
The message ends with a reminder of what Irreechaa truly is:
“Irreechi Nagaa, Araara, Milkii fi quufa. Baga geenye!”
“Irreechaa is Peace, Reconciliation, Blessing, and Abundance. Welcome!”
This is the heart of the matter. Irreechaa is not a party. It is not a parade. It is not a platform for personal recognition or religious outreach. It is a sacred act of gratitude to Waaqa, a communal reconciliation, and a prayer for peace and abundance in the year to come.
If the celebration is to remain meaningful for future generations, it must be practiced with the same reverence, order, and fidelity to tradition that has kept it alive for centuries — through persecution, suppression, and diaspora.
The message is a wake-up call. And it is one that deserves to be heard.
From Refugee to Trailblazer: How Dr Melika Yassin Sheikh-Eldin Is Reshaping Australia’s Approach to Settlement
By Dhabessa Wakjira
When Dr Melika Yassin Sheikh-Eldin fled war in Eritrea in the late 1970s, she could not have known that her journey would one day help shape how an entire nation welcomes its newest arrivals. But that is precisely what happened. Over four decades, Melika has transformed her lived experience as a refugee into world-leading models for community integration and social cohesion — models now studied and adopted far beyond Australia’s shores.
She has helped thousands of new arrivals settle successfully. She has disrupted gender stereotypes and challenged public perceptions of what refugees can achieve. And she has done so while raising three children, completing a PhD, and representing Australia on the global stage as a “Refugee Voice” at United Nations consultations in Geneva.
Her story is not simply one of personal triumph. It is a blueprint for what is possible when refugees are recognized not as recipients of aid, but as stakeholders, leaders, and architects of their own futures.
A Journey Forged in Service
Melika’s path to Australia was neither short nor simple. After fleeing Eritrea, she volunteered in Sudanese refugee camps and later in Cairo. Her dedication drew the attention of some of the world’s most respected humanitarian organizations. She volunteered for the United Nations High Commissioner for Refugees (UNHCR) , the Red Cross, and Save the Children — gaining frontline experience that would later inform her professional approach.
She resettled in Australia in 1992, bringing with her not only the scars of displacement but also an unshakeable commitment to service. That commitment found its home at AMES Australia, where she has been a pivotal leader since 2001 and has served as Manager of Settlement Support Services since 2006.
Since 2007, she has sat on the board of the Refugee Council of Australia and represented the nation as a “Refugee Voice” at annual UNHCR consultations in Geneva. In that role, she has advocated relentlessly for policy shifts that recognize refugees as stakeholders rather than passive recipients of aid — a principle that has guided every project she has led.
Three World-Leading Models
Melika’s work at AMES Australia has produced initiatives that are now considered global blueprints for settlement and integration. Three stand out in particular.
1. The Nhill Rural Settlement Project
In western Victoria, the small town of Nhill was facing economic decline. Melika’s project settled Karen refugees in the community — and the results were transformative. The town’s economy was revitalized, and the model is now regarded internationally as a global blueprint for rural settlement. It demonstrated that refugee settlement is not a burden but an opportunity — for the newcomers and for the host community alike.
2. The Werribee Park Gardening Program
Isolation and mental wellbeing are critical challenges facing many refugee women, particularly those who arrive without established community networks. Melika’s program engaged isolated Karen women in gardening at Werribee Park. The initiative directly addressed these challenges, and its success was so evident that the model has since been adopted by other organizations.
3. The Community Guides Program
Perhaps Melika’s most influential innovation is the Community Guides Program, which recruits former refugees to use their lived experience to assist new arrivals. The logic is elegant: those who have walked the path themselves are uniquely positioned to guide others along it. The program has proven so effective that Melika has traveled to Sweden, New Zealand, and Japan to help international organizations establish programs based on the AMES Community Guides model.
Challenging Stereotypes, Championing Two-Sided Education
Melika’s impact extends beyond program design. She has been a powerful voice in disrupting gender stereotypes and challenging the public perception of what refugees can achieve. At a time when refugee women are often portrayed as passive or dependent, Melika’s leadership — and the leadership she cultivates in others — tells a different story.
Central to her philosophy is the concept of “two-sided education.” Integration, she argues, is not a one-way process. Both host communities and new arrivals must learn about one another for true integration to occur. This mutual learning, she explains, helps mitigate the fear of the unknown — the anxiety that so often fuels resistance to newcomers.
It is a simple but profound insight: integration is not something done to refugees, but something built with them, and with the communities that receive them.
A Scholar and a Mother
Melika’s achievements are all the more remarkable given the circumstances in which she pursued them. While raising three children as a refugee in a small Australian town, she completed a PhD in aquatic science — a testament to her intellectual rigor and her refusal to be defined by the limitations others might have placed upon her.
Her academic background in science may seem distant from her work in settlement, but both reflect the same qualities: careful observation, systematic thinking, and a commitment to understanding complex systems — whether ecosystems or communities.
A Legacy Still Being Written
Dr Melika Yassin Sheikh-Eldin’s story is a reminder that refugee experiences are not only stories of loss. They are also stories of contribution, innovation, and leadership. Her work has reshaped how Australia approaches settlement, and her models continue to influence practice internationally.
But perhaps her most enduring legacy is the principle she has championed throughout her career: that refugees are not problems to be solved, but partners to be engaged. They are not merely recipients of aid, but stakeholders in their own futures — and, as Melika’s own life demonstrates, architects of the futures of others.
From a young woman fleeing war to a world-leading voice in settlement and integration, Melika’s journey is a testament to what becomes possible when refugees are given the opportunity — and the respect — to lead.
Dr Melika Yassin Sheikh-Eldin is the Manager of Settlement Support Services at AMES Australia and a board member of the Refugee Council of Australia.
Peace Celebrations Behind the Storm: The “Festival Politics” of Oromia and Tigray
FINFINNE — When the Oromo thanksgiving festival Irreecha and the Ethiopian Orthodox Meskel festival arrive in the capital and surrounding areas within two weeks of each other, the official messaging is strikingly uniform: everything is for peace.
Mardasa, Director of the Oromia Bureau of Administration and Security and Peace Commissioner, stated that security agencies have made full preparations to celebrate both festivals “in a peaceful manner and under the traditions of unity and coexistence.” The federal police have also pledged to deploy adequate forces at Hora Finfinne, Hora Harsadi, and other locations.
Yet behind this placid official statement, Ethiopia in 2026 faces its most severe security situation since the end of the Tigray war in 2022. For a country mired in multi-front conflicts, the “security preparations” for two festivals are far from routine.
Surface Calm and Deep Fear
Irreecha is the single most important thanksgiving celebration for the Oromo people, marking the end of the rainy season and the beginning of the harvest. This year’s Irreecha will be held on Meskerem 23 and 24 in the Ethiopian calendar (October 3 and 4 in the Gregorian calendar) at Hora Finfinne in Addis Ababa and Hora Harsadi in Bishoftu. Masqala took place two weeks earlier in mid-September, with the Demera bonfire ceremony at Meskel Square in the capital drawing large crowds.
Official statements emphasize “coordinated cooperation between security agencies and religious leaders, Gadaa elders, Siinqee women’s representatives, and youth,” and call on the public to “immediately report any suspicious circumstances to the nearest security agency.” This phrasing itself reveals tension.
The concern is not unfounded. During the 2016 Irreecha celebration in Bishoftu, clashes between police and protesters triggered a stampede that killed at least 52 people, becoming a turning point for large-scale anti-government protests in Oromia. At that time, protesters raised crossed wrists—a gesture that later became a symbol of resistance—and advanced toward the stage. Police responded with tear gas and rubber bullets, and people fell into deep ditches as they fled.
A decade later, the political fractures in that land are far from healed.
“Peace” Under Siege
Peace Commissioner Mardasa’s statement was issued at an extremely delicate moment. Just days earlier, seven armed groups announced an alliance aimed at “overthrowing” Prime Minister Abiy’s federal government. Alliance members include the Tigray People’s Liberation Front (TPLF), the Amhara Fano militia, and the Oromo Liberation Army (OLA)—organizations whose historical enmity runs so deep that their union itself is a signal.
The federal government now faces armed insurgencies on three fronts simultaneously: Tigray, Amhara, and Oromia. Against this backdrop, the large gatherings for Irreecha and Masqala are both a security challenge and a political litmus test: can the government maintain effective control over the capital and surrounding areas in a wartime posture?
The U.S. State Department’s travel advisory lists large parts of Oromia at “Do Not Travel” level, citing “risks of armed conflict, kidnapping, and unrest.” Finland’s Ministry of Foreign Affairs warns that Ethiopia’s “political and ethnic tensions have led to an unstable situation, and unrest may further intensify.” A clear temperature gap exists between these international assessments and the official “everything is ready” posture.
The Dual Function of Festivals
Irreecha has never been merely a religious festival. In the Oromo Gadaa tradition, it is the transition from the “dark season” to the “light season,” a moment for the community to collectively wash away the misfortunes of the past year and pray for a bountiful year ahead. But in contemporary Ethiopia, it is also the largest-scale staging ground for Oromo identity politics.
Similarly, Masqala has a unique cultural embedding in the Oromia region. Academic research documents that during Masqala, Oromo communities perform Garmaama singing, which carries the collective emotional expression of “joy, sorrow, love, and longing,” a cultural ritual of “transition from the old era to the new.”
When these festivals are framed by officials under the banner of “peace and unity,” a sharp question emerges: who defines “peace”? Is it community reconciliation in the Gadaa elders’ tradition, or order and stability under federal government rule?
Peace Commissioner Mardasa’s statement repeatedly emphasizes coordination between “security agencies” and “community leaders,” but the real question may be: when community leaders themselves become a party to political contestation, are festival celebrations an opportunity for unity or a fuse for conflict?
The Risk of Silence
Addis Ababa police say they have made “coordinated preparations” for the Demera ceremony at Meskel Square, but as of press time, authorities have not published any specific traffic control plans, crowd management measures, or security deployment details for any single day. The Oromo Abbaa Gadaa Council frames this year’s Irreecha as an expression of “national consensus,” but in Ethiopia’s current context, that phrase reads more like a prayer than a description.
For the millions about to travel to Hora Finfinne and Hora Harsadi, the reality they face is: a government fighting on multiple fronts simultaneously, an armed opposition that has just formed an anti-government alliance, and a traumatic memory that cost 52 lives a decade ago.
The Peace Commissioner’s statement ends with a blessing: “May you return safely in this harvest season.” In this harvest season, the weight of those words is heavier than ever.
Irreecha: A Festival for National Unity and Patriotic Covenant
Oromia, Ethiopia — National festivals play a vital role in accelerating peace, love, unity, and shared development. Among the festivals that exemplify peace, love, and solidarity, Irreecha stands as one of the most significant. Rooted in the Gadaa system, Irreecha embodies the ancient Oromo traditions of working together, eating together, supporting one another, standing side by side, reconciliation, holding good wishes for one another and the country, and translating unity into action.
Irreecha is celebrated as a festival that manifests the spirit of togetherness and brotherhood among peoples. It serves as a source of collective strength, a fountain of love, a spring of friendship, and a foundation for living together in harmony.
A Festival That Embraces All Humanity
This grand festival holds a special place in fostering a national covenant because it is enriched with values that enable people to see one another with equal respect, to understand one another, and to draw closer together. Irreecha teaches that every human being deserves dignity and honor, regardless of their background.
That is why the Oromo people celebrate this festival of thanksgiving and gratitude to the Creator with unwavering unity. No distinction is made based on appearance, gender, age, religion, or any other criterion. Everyone is welcome. Everyone is equal. Everyone belongs.
A Unifying Force for All Nations and Nationalities
Because of this inclusive and unifying character, Irreecha has today become a celebration that brings together nations, nationalities, and peoples of Ethiopia. What began as a traditional Oromo thanksgiving festival has grown into a national event that transcends ethnic boundaries, drawing participants from all walks of life who wish to share in its message of peace, gratitude, and togetherness.
The festival’s ability to unite diverse communities is not accidental. It flows from the core values embedded in the Gadaa system — values of consensus, mutual respect, and collective responsibility. These values have been passed down through generations and remain as relevant today as they were centuries ago.
A Call to Celebrate in Unity
The message is clear: all people are invited to come out in unity to celebrate this festival of Irreecha and to give thanks to the Creator. The festival belongs to everyone — not to any single group, region, or faith. It is a shared heritage, a common treasure, and a living expression of Ethiopia’s diversity and unity.
In a time when divisions often dominate public discourse, Irreecha offers a powerful counter-narrative. It reminds us that our shared humanity is greater than our differences, that our collective strength lies in our unity, and that our future depends on our ability to stand together.
A Covenant for the Nation
For these reasons, Irreecha holds an elevated role in strengthening national unity and fostering a patriotic covenant. It is not merely a festival — it is a declaration that peace, love, and togetherness are not abstract ideals but lived realities. It is a promise that the bonds between peoples are stronger than the forces that seek to divide them.
As millions gather at the banks of rivers and lakes to dip fresh grass into the water and lift their voices in song, they do more than celebrate a tradition. They renew a covenant — with Waaqa, with one another, and with the nation they share.
Baga Irreecha! Baga Tokkummaa!
Source: Oromo Cultural Heritage
Gadaa Elders Announce Irreechaa 2019 Dates: A Call for Unity, Tradition, and Peaceful Celebration
Finfinnee, Oromia — The Assembly of Gadaa Elders of Oromia has officially announced the dates for the celebration of Irreechaa in 2019, confirming that the festival at Hora Finfinnee will be celebrated on September 23, while the celebration at Hora Harsadee will take place on September 24.
The announcement was made through an official statement issued by the Assembly of Gadaa Elders, the traditional custodians of Oromo cultural and spiritual life, who oversee the proper observance of the festival in accordance with ancient customs, traditions, and sacred norms.
A Festival That Reflects the Greatness of a People
In their statement, the Gadaa elders emphasized that Irreechaa is not merely a seasonal celebration but a profound expression of the greatness of the Oromo nation. The festival, they noted, must be observed in a manner that honors the culture, traditions, and sacred norms (safuu) of the Oromo people, preserving the customs handed down from their ancestors.
The elders stressed that Irreechaa should serve as an occasion to strengthen the bonds of brotherhood and unity among all people, regardless of their faith or political outlook. The festival, they affirmed, belongs to all — and its celebration must transcend differences of religion and political opinion.
A Call for a United, Orderly Observance
The Assembly issued a call to all sectors of society to support the proper and orderly observance of Irreechaa. The festival, they said, must be conducted according to its established rules and procedures, with a spirit of oneness and shared purpose. No difference of faith or political perspective should divide the community during this sacred time.
The elders’ call underscores the deep significance of Irreechaa as a unifying force in Oromo society. The festival draws together millions of people from across Oromia and the diaspora, gathering at sacred water sites to give thanks to Waaqa (God), seek reconciliation, and welcome the new season of Birraa (spring).
A Tradition Preserved Through Generations
The announcement by the Gadaa elders reflects the continued vitality of the Gadaa system, the ancient democratic and social governance structure of the Oromo people. Recognized by UNESCO as an Intangible Cultural Heritage of Humanity, the Gadaa system organizes Oromo society into age sets and generational grades, each with its own roles, rights, and responsibilities. The elders’ role in announcing and overseeing Irreechaa is a testament to the enduring strength of this institution.
A Festival of Thanksgiving and Renewal
Irreechaa is the annual Oromo thanksgiving festival, celebrated at the banks of rivers and lakes across Oromia. It marks the end of the rainy season (Ganna) and the beginning of spring (Birraa), a time of renewal, gratitude, and hope. Participants carry fresh green grass and yellow daisies to the water’s edge, dipping them into the water as an offering of thanks for the blessings of the past year and a prayer for peace and abundance in the year to come.
The festival’s requirement for reconciliation before participation creates a powerful, community-enforced deadline for resolving disputes. There is a widespread belief that Waaqa will not accept the prayers of those who carry grievances. Irreechaa is thus not only a time of celebration but also a time of healing and reconciliation.
A Call to All
As the dates for Irreechaa 2019 approach, the Gadaa elders’ message is clear: Irreechaa is a festival for all Oromo people and for all who wish to join in the spirit of gratitude and unity. It is a time to set aside differences, to come together as one community, and to give thanks to Waaqa for the blessings of life, peace, and abundance.
The Assembly’s call for support from all sectors of society reflects the communal nature of the festival. Irreechaa is not organized by any single institution or group — it is a collective expression of the Oromo people’s faith, culture, and identity.
Baga Irreechaa! Baga Birraa!
Source: Assembly of Gadaa Elders of Oromia
A Life Worth Celebrating—A4O Calls for Honor, Not Grief, for Artist Ilfinash Qannoo
By Our Correspondent
(Melbourne, Australia – 8 September 2026)-In a poignant and powerful statement released today, Advocacy for Oromia (A4O) has called on Oromos and friends of the struggle worldwide to transform mourning into celebration for the late artist and freedom fighter, Ilfinash Qannoo.
The Melbourne-based advocacy group, speaking from their Australian headquarters, emphasized that while the loss of the beloved artist is deeply felt, her life, legacy, and unwavering commitment to the Oromo cause demand a response of honor rather than sorrow.
A Life Dedicated to Liberation
Ilfinash Qannoo was no ordinary artist. According to A4O, she was a steadfast pillar of the Oromo liberation movement, dedicating her entire life to the struggle for Oromo self-determination. Her artistry was not merely entertainment—it was resistance. Her voice was not just melody—it was a clarion call for justice.
“Artist Ilfinash Qannoo spent her whole life supporting and advancing the Oromo struggle for freedom,” the statement reads, positioning her among the most committed cultural warriors of her generation.
More Than an Artist—A Symbol
A4O’s statement highlights ten compelling reasons why Ilfinash Qannoo’s legacy must be celebrated:
A Symbol of Oromo Identity: She embodied the pride, dignity, and cultural richness of the Oromo nation. Her very presence was a testament to Oromo resilience and identity.
Champion of Justice: She was a fearless defender of Oromo rights, human rights, and gender equality. She challenged oppression in all its forms and stood against discrimination, including gender-based injustice.
Unifier of the Oromo People: At a time when division threatens the struggle, Ilfinash Qannoo stood as a powerful symbol of Oromo unity, reminding her people that solidarity is the foundation of victory.
Teacher and Inspiration: Through her life and work, she taught Oromos to resist subjugation with dignity, while also respecting the rights of other nations—a rare and powerful example of principled advocacy.
Martyr for the Cause: Her final resting place in Ambo is now etched into the historical landscape of the Oromo struggle. Her grave, like her life, has become a site of memory and honor.
A Legacy That Transcends Death
Perhaps the most striking aspect of A4O’s tribute is the assertion that Ilfinash Qannoo’s impact extends far beyond her lifetime. She did not simply live for Oromia; she ensured that even in death, she would remain a rallying figure for the movement.
“She left us not with despair, but with a glorious legacy,” the statement declared. “We are called to take strength from what she and our forebears have left us, and to rededicate ourselves to the struggle with renewed vigor.”
A Call to Action, Not Lamentation
In what can be described as a clarion call to the Oromo diaspora and the wider movement, A4O urged supporters to channel their grief into action. The organization stressed that the most fitting tribute to Ilfinash Qannoo is not tears, but a renewed commitment to the goals she championed.
“We must celebrate her life, her work, her history, and her enduring symbol of resilience,” the statement emphasized. “Let us march forward in her honor, advancing the struggle for Oromo liberation with determination and unity.”
Global Reach of the Statement
Issued from Melbourne, Australia, on 8 September 2026, the statement reflects the global nature of the Oromo struggle and the far-reaching influence of cultural icons like Ilfinash Qannoo. A4O’s message transcends geographic boundaries, speaking directly to Oromos in the homeland and across the diaspora.
The advocacy group concluded with an unwavering declaration: “Victory to Oromia!” —a fitting epitaph for a woman whose life was dedicated to that very cause.
Historical Context
Ilfinash Qannoo’s passing marks the end of an era in Oromo cultural and political history. She was among a generation of artists who used their craft as a weapon of resistance, challenging the status quo and inspiring millions. Her death is not just a loss of talent, but the departure of a moral compass for a movement in constant pursuit of justice.
As Oromos around the world reflect on her legacy, A4O’s message is clear: Grieve, yes—but more importantly, celebrate. Honor her by carrying the torch she has passed on.
About Advocacy for Oromia (A4O): Based in Melbourne, Australia, A4O is a diaspora advocacy organization committed to advancing the rights, justice, and self-determination of the Oromo people through awareness, advocacy, and solidarity initiatives.
“We mourn her loss, but we celebrate her life—for in her, Oromia found a voice that will never be silenced.”
On the Passing of Artist Ilfinash Qannoo – Beloved Cultural Icon and Symbol of Oromo Resistance
The official press release from the Oromo Federalist Congress (OFC/KFO) regarding the passing of Artist Ilfinash Qannoo:
OFFICIAL FEATURE STATEMENT
On the Passing of Artist Ilfinash Qannoo – Beloved Cultural Icon and Symbol of Oromo Resistance
Issued by the Oromo Federalist Congress (OFC/KFO)
Qaammee 2, 2018 (E.C.) | Finfinnee, Oromia, Ethiopia
A Profound Loss to the Oromo Nation
The Oromo Federalist Congress (OFC/KFO) received with deep sorrow, profound heartbreak, and heavy grief the news of the passing of the beloved Oromo artist, cultural emblem, and lifelong advocate for justice – Artist Ilfinash Qannoo.
Born and raised in Naqamtee, Western Oromia, Ilfinash Qannoo was never merely a performer. She was the voice of a silenced people. Her protest songs became the very foundation of Oromo political awakening – lyrics that for decades spoke unflinchingly of oppression, marginalization, and the long-cherished dream of democracy for our people.
A Voice That Would Not Be Silenced
The powerful voice of Ilfinash – which for years had challenged regimes, dictators, and prolonged systems of subjugation – still echoes as an eternal memory. She inspired generations of Oromo youth to preserve their culture, stand firm in their identity, and fight courageously for their fundamental human rights.
Her music was not entertainment; it was resistance set to melody. Her stage was not a platform; it was a pulpit for truth. Her audience was not merely fans; they were a movement in the making.
Her Final Days and Peaceful Departure
In her final days, she had recently returned to her homeland. While undergoing medical treatment at a hospital, she was overtaken by illness, and on Qaammee 1, 2018 (E.C.), she passed from this life – a departure that has left an unfillable void in the heart of the Oromo nation.
Yet, even in this loss, we draw immense strength from the message of unity she left behind – a message that will never fade from the hearts of the Oromo people. Though her physical form may depart, the seeds of unity, resilience, and love for freedom that she planted in the hearts of millions of Oromos will continue to grow and flourish across generations.
A Call to Honor Her Legacy
The Oromo Federalist Congress (OFC/KFO) extends its deepest condolences to her family, her friends, her fellow artists, and the entire Oromo community across the globe.
We call upon our people to honor her memory by upholding the very principles she sang for throughout her lifetime:
- Unity – standing together as one nation.
- Equality – demanding justice for all.
- Democracy – continuing the struggle for fundamental rights.
Let her music remain our anthem. Let her courage be our compass. Let her sacrifice fuel our determination.
Final Prayer and Tribute
We pray to the Almighty to grant her family and loved ones strength and patience during this time of immense loss, and to bestow upon her soul eternal peace and rest.
Her name shall not be forgotten. Her songs shall not fade. Her spirit shall walk with every Oromo who dares to dream of a free and just tomorrow.
Rest in Power, Ilfinash Qannoo.
Your voice was our weapon. Your legacy is our foundation.
Issued by:
Oromo Federalist Congress (OFC/KFO)
Finfinnee, Oromia, Ethiopia
Qaammee 2, 2018 (E.C.)
#IlfinashQannoo #OromoUnity #CulturalHero #JusticeForOromia #LegacyLives
The Voice That Refused to Be Silenced: Minnesota Oromo Community Mourns Iconic Artist Ilfinash Qannoo
A tribute to a pioneering artist whose music and courage shaped Oromo identity across generations and continents
MINNEAPOLIS, Minnesota – September 6, 2026
The Oromo Community of Minnesota (OCM), one of the largest Oromo diaspora organizations in the United States, has issued a formal letter of condolence honoring the life and legacy of Artist Ilfinash Qannoo, whose passing marks the end of an era for Oromo arts and cultural expression.
In a statement released today, the organization paid tribute to an artist who, for decades, transformed personal sacrifice into an enduring cultural treasure, becoming a symbol of resistance, resilience, and identity for Oromo people worldwide.
A Life Dedicated to Cultural Preservation
Ilfinash Qannoo was more than a musician or performer. She was a cultural archivist, a linguistic guardian, and a fearless voice who understood that art could carry the weight of an entire people’s history. Through her extraordinary talent, she devoted her life to expressing Oromo identity, history, language, aspirations, and resilience—often at great personal cost.
The OCM statement emphasized that during decades when openly expressing Oromo identity could carry grave personal consequences, Ilfinash chose to speak through her art. She endured repression, imprisonment, displacement, and exile, yet her creative spirit remained unbroken. Her music and performances became acts of quiet defiance in the face of political oppression, preserving the Oromo language and traditions at a time when they were systematically marginalized.
A Pioneer for Oromo Women in Public Life
Perhaps one of her most significant legacies was her role as a trailblazer for Oromo women. At a time when restrictive expectations limited women’s participation in public life, Ilfinash challenged both political repression and social conventions.
The OCM honored her as a “pioneering role as an Oromo woman artist who challenged political repression and restrictive expectations of women in public life.” Her courage helped create space for generations of Oromo artists and women who followed, proving that creative expression and political consciousness could go hand in hand.
“Her courage helped create space for generations of Oromo artists and women who followed,” the OCM board wrote, acknowledging that her influence extended far beyond music into the very fabric of Oromo social and political life.
Music as Memory and Resistance
Ilfinash’s music became a powerful vessel for memory and cultural continuity. Her songs, which continue to circulate across generations and continents, have served as an informal archive of Oromo history, preserving stories, struggles, and triumphs that might otherwise have been lost.
The OCM statement noted that her music “reminds us of the courage, sacrifice, and determination that shaped an important chapter of Oromo history.” For Oromo communities scattered across the globe—from the Horn of Africa to the diaspora centers of North America, Europe, and Australia—her voice became a thread connecting them to their homeland and heritage.
A Global Mourning
The Minnesota Oromo community, which numbers in the thousands, joins Oromo communities around the world in mourning this profound loss. The OCM pledged to continue preserving her work and the stories of those “who carried our cultural heritage through difficult times.”
“We reaffirm our responsibility to preserve the work and stories of those who carried our cultural heritage through difficult times,” the statement reads, acknowledging that the preservation of Oromo culture rests on the shoulders of those who, like Ilfinash, sacrificed their safety and comfort for the sake of collective memory.
Calls for Celebration Amid Grief
The OCM’s formal letter follows a growing chorus within the Oromo diaspora and homeland alike, urging that Ilfinash’s life be celebrated as much as her death is mourned. Many have echoed sentiments expressed in recent weeks that her legacy is one of joy, defiance, and triumph—not merely sorrow.
“May Artist Ilfinash Qannoo rest in eternal peace, and may her memory continue to inspire generations to come,” the OCM concluded in their letter, striking a tone of solemn respect mixed with hope for the future.
A Legacy That Endures
Ilfinash Qannoo’s death represents a significant loss for the Oromo cultural landscape. Yet her life’s work ensures that her voice will continue to resonate through the generations she inspired and the communities she helped to empower.
As the Oromo diaspora reflects on her contributions, her songs will undoubtedly continue to play in homes, community gatherings, and cultural events—each note carrying the defiance, resilience, and pride of a people whose identity she devoted her life to preserving.
The Oromo Community of Minnesota’s full letter of condolence can be accessed through the organization’s official channels. The Oromo community across Minnesota and beyond extends its deepest sympathy to her family, friends, fellow artists, admirers, and the Oromo nation at large.
With deepest respect and sympathy,
Oromo Community of Minnesota (OCM)
Board of Directors
September 6, 2026
#IlfinashQannoo #OromoArt #CulturalResilience #OromoDiaspora #MinnesotaOromo #LegacyOfResistance
